MEMETERIA by Thomas May

Music & the Arts

New from Los Angeles Master Chorale and Peter Sellars

At the end of the month the Los Angeles Master Chorale and artistic director Grant Gershon will open their season with a brand-new staging by Peter Sellars of Lagrime di San Pietro. This is the cycle of “spiritual madrigals”Orlando di Lasso composed at the very end of his life in 1594. Here’s my essay for the program:

A SAINT’S REMORSE: LASSO’S HIGH RENAISSANCE MASTERPIECE

What’s the correct way to refer to one of the most extraordinary musical minds in history: Orlande/Orlando/Roland de Lassus/di Lasso? There’s a Franco-Flemish form and an Italianized one; sometimes the two get mixed together. There’s even a Latin option intended to standardize the situation. The very profusion of variants points to the internationalism and cross-pollination across borders that marked the era of the High Renaissance in Europe.

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Filed under: choral music, directors, essay, Grant Gershon, Los Angeles Master Chorale

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  1. […] the new Los Angeles Master Chorale season was devoted to Orlando di Lasso’s late masterpiece Lagrime di San Pietro. I’m still working through the extraordinary effect the performance had on me — and I […]

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