I wrote a profile of Bryce Dessner in connection with his residency this season with the Czech Philharmonic:
This February, a pair of electric guitars will slip into the sonic bloodstream of the Czech Philharmonic. Then, later in the season, in May, audiences at Prague’s Rudolfinum will hear a new cello concerto written for and performed by Anastasia Kobekina. Both moments centre on Bryce Dessner, the orchestra’s first ever composer-in-residence, in a role that brings several strands of his musical life into rare alignment.
Filed under: Bryce Dessner, profile
MEMETERIA by Thomas May 