MEMETERIA by Thomas May

Music & the Arts

Interviewing Sam Harris

Sam Harris

I ran into this old interview I did years ago with the brilliant and hugely controversial neuroscientist, philosopher, and gadfly thinker Sam Harris.

It’s actually a decade old, from when I was still an editor at Amazon (and when Amazon was, let’s just say, a very different place). The subject was the first book by the prolific Mr. Harris, The End of Faith, which went on to win the 2005 PENN Award for Nonfiction.

Interview with Sam Harris: The Mortal Dangers of Religious Faith
Not long before the birth of Christ, in an age of violence and turmoil, the Roman poet and Epicurean philosopher Lucretius wrote an epic masterpiece titled De Rerum Natura (“On the Nature of Things”). His goal, in part, was to liberate humankind from the religious superstitions that he believed stood in the way of true peace of mind and happiness.

Author Sam Harris plays the role of a contemporary Lucretius in his book The End of Faith: Religion, Terror, and the Future of Reason. Harris received a degree in philosophy from Stanford University and is a doctoral candidate in the field of neuroscience.

Well aware that a book about the inherent dangers of institutional, dogmatic religion would court controversy, Harris wrote The End of Faith out of a sense of urgency regarding what he argues constitutes perhaps the greatest threat we face today. He shared his thoughts about the character of dogmatic faith versus mysticism, the role of reason in civil discourse, and the hope that humans can overcome the propensity toward religious violence before it’s too late.

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Filed under: book recs, interview, philosophy, religion

Recovering Genius: Pope Francis and Wagner


(Pope Francis in March 2013)

By now, the extraordinary interview Pope Francis gave to fellow Jesuit Fr. Antonio Spadaro, which was recently published in America Magazine, has generated incredible interest on many fronts, from the Pope’s comments on moral priorities and his memorable metaphor of the Church as a “field hospital” to his discussion of art and creativity.

When discussing human understanding, Pope Francis revealed a fascinating perception of Wagner:

When does a formulation of thought cease to be valid? When it loses sight of the human or even when it is afraid of the human or deluded about itself. The deceived thought can be depicted as Ulysses encountering the song of the Siren, or as Tannhäuser in an orgy surrounded by satyrs and bacchantes, or as Parsifal, in the second act of Wagner’s opera, in the palace of Klingsor. The thinking of the church must recover genius and better understand how human beings understand themselves today, in order to develop and deepen the church’s teaching.

Maybe I’m on the totally wrong track here, but I almost notice an echo here of Wagner’s own formulation of the relation between art and religion from the time of Parsifal:

When religion becomes artificial, art has a duty to rescue it. Art can show that the symbols which religions would have us believe literally true are actually figurative. Art can idealize those symbols, and so reveal the profound truths they contain.

The entire interview with Pope Francis, “A Big Heart Open to God,” is in English translation here.

Filed under: aesthetics, religion, spirituality, Wagner

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