Harpsichordist Mahan Esfahani plays with the Seattle Symphony on Friday and Saturday, Jan. 11 and 12. (Kaja Smith)
Here’s my Seattle Timesprofile of harpsichordist Mahan Esfahani:
“Controversial artist” is not one of the images that a professional harpsichordist tends to conjure. It cuts against the grain of countless stereotypes involving restraint, uptightness, dusty academicism. But flipping stereotypes is one way of characterizing the remarkable career of Mahan Esfahani, who makes his Seattle Symphony debut this weekend (Jan. 11 and 12) as the soloist in a program juxtaposing two generations of the Bach family.
Today marks the 300th birthday of Johann Sebastian’s fifth child, the amazing Carl Philipp Emanuel. Born during papa’s Weimar period to his beloved first wife, Maria Barbara (who died six years later), C.P.E. occupies a fascinating position as a “transitional” figure. In other words, his creative work can’t be conveniently pigeonholed into the neat categories music historians use to wedge everything into a straightforward narrative.
Carl Philipp Emanuel is in the spotlight all year long, with all sorts of programs devoted to exploring his legacy. Last week, for instance, the Friends of the Berlin Philharmonic presented a special program featuring “an autobiographical monologue with music.” The actor Burghart Klaußner played the role of the composer to a script drawn from his letters and similar documents.
In a section on the reception of Carl Philipp Emanuel, the composer’s contemporary Christian Friedrich Daniel Schubart describes how he was considered a true original:
“Bach in Hamburg leads the clavierists as Klopstock leads the poets. He is epoch-making […]. Both his composition and his playing are inimitable.” A characteristic of Bach that still applies today. Countless composers of the late 18th century were imitating Haydn and Mozart, but no-one tried to imitate Bach. They would not have succeeded – his melody is expressive but seldom cantabile. The “Hamburg Bach” was denied having street boys whistle his tunes as they did Mozart’s. In any case, Bach considered himself the creator of demanding music and had little interest in serving the populace.
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The Exilarte Center in Vienna is the world's leading research institution devoted to preserving the work of composers such as Walter Arlen and others, who were exiled or killed during the Holocaust.
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Phillips, who died in 2003, discovered Elvis and produced his first records, and was one of the leading catalysts in post-WWII American music. Originally broadcast in 1997.
The United Ukrainian Ballet Company is made up of dancers taking refuge in the Netherlands. The company travels to Washington, D.C., to perform Giselle, choreographed by Alexei Ratmansky.
The Sundance Film Festival returned in-person to Park City, Utah, this year, and with more submissions than ever. NPR's Aisha Harris screened nearly 20 films — these are her favorites.
The composer has been lauded for decades over his deeply affective music; director Alejandro González Iñárritu, composer Hildur Guðnadóttir and more join us to explain why.
MEMETERIA by Thomas May 