Harpsichordist Mahan Esfahani plays with the Seattle Symphony on Friday and Saturday, Jan. 11 and 12. (Kaja Smith)
Here’s my Seattle Timesprofile of harpsichordist Mahan Esfahani:
“Controversial artist” is not one of the images that a professional harpsichordist tends to conjure. It cuts against the grain of countless stereotypes involving restraint, uptightness, dusty academicism. But flipping stereotypes is one way of characterizing the remarkable career of Mahan Esfahani, who makes his Seattle Symphony debut this weekend (Jan. 11 and 12) as the soloist in a program juxtaposing two generations of the Bach family.
Today marks the 300th birthday of Johann Sebastian’s fifth child, the amazing Carl Philipp Emanuel. Born during papa’s Weimar period to his beloved first wife, Maria Barbara (who died six years later), C.P.E. occupies a fascinating position as a “transitional” figure. In other words, his creative work can’t be conveniently pigeonholed into the neat categories music historians use to wedge everything into a straightforward narrative.
Carl Philipp Emanuel is in the spotlight all year long, with all sorts of programs devoted to exploring his legacy. Last week, for instance, the Friends of the Berlin Philharmonic presented a special program featuring “an autobiographical monologue with music.” The actor Burghart Klaußner played the role of the composer to a script drawn from his letters and similar documents.
In a section on the reception of Carl Philipp Emanuel, the composer’s contemporary Christian Friedrich Daniel Schubart describes how he was considered a true original:
“Bach in Hamburg leads the clavierists as Klopstock leads the poets. He is epoch-making […]. Both his composition and his playing are inimitable.” A characteristic of Bach that still applies today. Countless composers of the late 18th century were imitating Haydn and Mozart, but no-one tried to imitate Bach. They would not have succeeded – his melody is expressive but seldom cantabile. The “Hamburg Bach” was denied having street boys whistle his tunes as they did Mozart’s. In any case, Bach considered himself the creator of demanding music and had little interest in serving the populace.
The actor, who stars in Doctor Who, Mapplethorpe and Charlie Says, has also famously played a British prince. So we asked him to answer three questions about the Minnesota Prince.
Turn-of-the-last-century labor leader Eugene V. Debs lead an interesting life — but this graphic biography misses plenty of opportunities to render the most interesting parts of it on the page.
Faith Erin Hick's sweet new YA novel is reminiscent of the real-life conflict between Batman co-creators Bob Kane and Bill Finger — and asks what happens when the next generation meets up.
Prasenjeet Yadav wants his photos to make people care about the environment — whether it's grasslands vanishing in southwest India or windmills taking over a lizard's habitat.
In its latest reversal, the Academy Awards restores four awards to its live broadcast. It had tried to shorten the program by handing them out during commercial breaks.
First Reformed, which Schrader wrote and directed, is up for an Oscar for best screenplay. It tells the story of a divorced minister experiencing a crisis of faith. Originally broadcast June 12, 2018.
In 1993, Lorena Bobbitt made national headlines when she severed her husband's penis and threw it out a car window. A new documentary looks at the gender politics of the reactions to the incident.
Comedian and author Michael Ian Black reflects on starting the very first "Twitter war," redefining masculinity, and his podcast inspired by the Thomas Hardy novel, Jude The Obscure.
Experimental psychologist Tony Salvador says we often hear only what we want to hear. He asks us to move beyond selective listening and be open to hearing all ideas — even ones we don't agree with.
