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Arts writing by Thomas May

Music on the Strait 2026

Music on the Strait, the Port Angeles-based chamber music festival that brings leading musicians from around the country to the Olympic Peninsula near the end of each summer, launches its 2026 season on Saturday, August 22, at the Field Arts & Events Hall in Port Angeles, located right on the waterfront.

The festival runs August 22–30, with a total of four concerts, two each at Field Arts & Events Hall and Maier Hall. This year’s roster includes mezzo-soprano Abigail Nims, flutist Demarre McGill, pianist Jeremy Denk, the Takács Quartet, and composer-in-residence Gabriela Lena Frank, alongside MOTS co-founder and artistic director and violinist James Garlick and other returning artists.

The opening night concert, “A Night at the Opera,” marks MOTS’s first venture into the operatic world. Nims joins violinists Kristin Lee and Garlick, violist Maiya Papach, cellist Silver Ainomäe, and pianist August Baik for an adventurous program featuring Respighi’s rarely performed Il Tramonto and the world premiere of El Mundo by Gabriela Lena Frank. Baik plays Frederic Rzewski’s Winnsboro Cotton Mill Blues, from Four North American Ballads, and the musicians will join together at the conclusion for Ernő Dohnányi’s Piano Quintet No. 1 in C minor.

The concert begins at 7:00pm PT on Saturday, August 22. Those attending in person can arrive early for Olympic Strings students at 5:45pm and a pre-concert talk by Lisa Bergman at 6:15pm Music on the Strait is also offering pay-what-makes-you-happy tickets starting at $5.

The concert will also be livestreamed free of charge for those who can’t make it to Port Angeles.

OPENING-NIGHT PROGRAM

Come early for food, drink, and pre-concert programming in the Sunset Lounge

5:45pm – Olympic Strings students

6:15pm – Lisa Bergman pre-concert talk

7:00pm concert:

Ottorino Respighi | Il Tramonto for mezzo soprano and string quartet (1914)
Frederic Rzewski | Winnsboro Cotton Mill Blues from Four North American Ballads for Piano (1979)
Gabriela Lena Frank | El Mundo for mezzo soprano and string quartet (World Premiere)
Erno Dohnanyi | Piano Quintet No 1 in C minor, Op 1 (1902)

Abigail Nims, mezzo-soprano
Kristin Lee, violin
James Garlick, violin
Maiya Papach, viola
Silver Ainomäe, cello
August Baik, piano

Sunday afternoon, August 23, at 3:00pm, MOTS continues with a concert at Maier Hall featuring this progam:

Wolfgang Amadeus Mozart | Flute Quartet in D Major, K 285 (1777)
Ernest Bloch | Violin Sonata No.2, B.58 “Poeme Mystique” (1924)           
Antonin Dvořák | Viola Quintet in F major, Op 97 “American” (1893)

Demarre McGill, flute
Kristin Lee, violin
James Garlick, violin
Maiya Papach, viola
Rebecca Albers, viola
Silver Ainomäe, cello

The Maier Hall performance is now sold out, but there is a wait list here.

The second weekend (August 29-30) features a sold-out special evening with the Takács Quartet at Maier Hall on Saturday August 29 at 7:00pm:

Ludwig Van Beethoven | String Quartet in B-flat, Op 18 No 6 (1801)    
Felix Mendelssohn | String Quartet in F minor, Op 80 (1847)
Franz Schubert  | String Quartet No. 14 in D Minor, D.810, “Death and the Maiden” (1824)

The festival finale takes place at Field Arts & Events Hall on Sunday August 30 at 3:00pm and features special guest Jeremy Denk joining the Takács Quartet

Gabriela Lena Frank | Quijotadas (2007)*
Ludwig Van Beethoven | Piano Sonata in D minor, Op 31 No 2 “The Tempest” (1802)
César Franck | Piano Quintet in F minor (1879)

Details, tickets, and the free livestream are available through Music on the Strait.

Filed under: chamber music, music news, Music on the Strait, new music, , , ,

‘Hold on, do what you can!’: Peter Sheppard Skærved on Michael Hersch’s ‘Zwischen Leben und Tod’

Zwischen Leben und Tod – excerpt from Movement III, manuscript

Peter Sheppard Skaerved speaks to The Strad about his new recording of Michael Hersch’s epic Zwischen Leben und Tod cycle:

British violinist Peter Sheppard Skærved, known for his wide-ranging repertoire and interdisciplinary work, discusses the challenges and rewards of recording Hersch’s monumental cycle engaging with the paintings and drawings of Peter Weiss…
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Filed under: American music, new music, The Strad, violinists

‘WISDOM’s Sources’: Music of Roger Reynolds

Out today is the third installment in Ekkozone Records’ series of recordings devoted to the music of Roger Reynolds, as active as ever at 91. The strikingly original works here include WISDOM’s Sources, which grew out of Reynolds’s longstanding creative friendship with violinist Irvine Arditti, and ‘O’o’ – named for the now-extinct Hawaiian bird and written for flutist Robert Aitken. Danish percussionist and producer Mathias Reumert has been documenting Reynolds’s music in this remarkable series.

My album essay can be found here.

Filed under: new music, Roger Reynolds

“Finding Hope in a Desolate Landscape”

Rebecca Albers; photo: Travis Anderson

I spoke with Minnesota Orchestra principal violist Rebecca Albers for The Strad about preparing the North American premiere of Donghoon Shin’s Threadsuns – a viola concerto inspired by Paul Celan’s poetry, which she performs this weekend. Fabien Gabel conducts. Given everything happening in Minnesota right now, the piece feels heartbreakingly timely.

In a moving decision, the Minnesota Orchestra also announced a change to the program in response to tragedy in the community. Opening the concerts is the Adagietto from Mahler’s Symphony No. 5, offered in memorial for Alex Pretti and Renee Good, and shared “with love for our audience and our beautiful city” on a program that explores resilience and the search for “songs to sing” amidst darkness.

interview

Filed under: new music, The Strad, viola

Making the Violin Sing: Gil Shaham on Three Concertos Written for Him

Gil Shaham with Bright Sheng and Leon Botstein

A new Strad interview with Gil Shaham about Premieres, his forthcoming album of violin concertos written for him by Scott Wheeler, Bright Sheng, and Avner Dorman:

Premieres, Gil Shaham’s new release on Canary Classics, brings together three violin concertos written expressly for him and realised in close collaboration with conductor Leon Botstein and The Orchestra Now. Recorded at Bard College’s Fisher Center, the album reflects a network of long-standing artistic relationships and a shared belief in the concerto as a living, evolving form…

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Filed under: new music, The Strad, violinists

Goethe’s ‘Urworte.Orphisch’ Set to Music by Bernd Richard Deutsch

To open the season this weekend, Franz Welser-Möst leads the Cleveland Orchestra and Chorus in the American premiere of Austrian composer Bernd Richard Deutsch’s ambitious, nearly-hour-long Urworte, which sets Goethe’s famous stanzas to music.

Movements:

  1. Daimon: Dämon (Demon)
  2.  Tyche: Das Zufällige (The Accidental)
  3. Eros: Liebe (Love) 
  4. Ananke: Nötigung (Necessity) —
  5. Elpis: Hoffnung (Hope)

Sunday’s concert will be livestreamed on Adelladigital home of The Cleveland Orchestra.

My introduction to the work can be found in the Cleveland Orchestra program notes here.

Composers often set aside ideas that strike them in a flash of inspiration, waiting until the right moment arrives to wrestle them down in detail and give them an enduring form. For Bernd Richard Deutsch, one such idea was to write a work exploring the elemental forces that shape our lives….
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Filed under: Cleveland Orchestra, Goethe, new music, program notes

Ojai Music Festival 2025

And it begins! Ojai Music Festival launches its 79th edition today, 5 June, and will be streaming the concerts at Libbey Bowl on the OMF homepage at OjaiFestival.org and on the festival’s YouTube channel.

Writing the OMF program notes is always an immersive experience, but this year’s festival programming by Music Director Claire Chase has proved to be the most fulfilling since I began writing for the festival. The 2025 edition also carries a bittersweet resonance since Artistic and Executive Director Ara Guzelimian just announced that he will conclude his tenure with the 2026 OMF.

So many highlights to look forward to over this extended weekend, which showcases the incredible community of fellow artists with whom Claire Chase has chosen to collaborate. In the spotlight tonight are Marcos Balter and his epic Pan – a signature contribution to Chase’s ongoing Density 2036 project – and Annea Lockwood’s  bayou-borne, an homage to the late Pauline Oliveros, her close friend, mentor to Chase, and a tutelary spirit watching over the music-making at Ojai.

You can find the entire program book here.

Filed under: American music, Claire Chase, new music, Ojai Festival

Anna Thorvaldsdottir: Notes on a First Concerto

San Francisco Symphony just gave the world premiere of Before we fall, Anna Thorvaldsdottir’s new cello concerto for Johannes Moser, with Dalia Stasevska on the podium.

My behind-the-scenes feature on its creation is the current Strings magazine cover story.

Here’s Lisa Hirsch’s review for the San Francisco Chronicle:

“Thorvaldsdottir’s new cello concerto, Before We Fall, is a banger, sonically and intellectually, dense with ideas and meriting repeat hearings. It launches explosively, which is not an unusual strategy for a concerto, but don’t be misled. This isn’t a conventional soloist-versus-orchestra showdown….
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Filed under: Anna Thorvaldsdottir, cello, new music, San Francisco Symphony, Strings

Third Coast Percussion with Jessie Montgomery

Third Coast Percussion with guest artist violinist Jessie Montgomery. (Marc Perlish)

I spoke with Third Coast Percussion’s David Skidmore about their upcoming program on 3 May at Meany:

Think percussion is just about hitting things? Think again. 

With instruments that shimmer, thrum, ping and even gurgle underwater, Third Coast Percussion has spent the past 20 years expanding horizons for what a percussion ensemble can do. The Chicago-based quartet returns to the University of Washington’s Meany Center for the Performing Arts on May 3 as part of a milestone anniversary tour….

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Filed under: new music, percussion, Seattle Times, Third Coast Percussion

Xian Zhang Returns to Seattle Symphony

Xian Zhang, Seattle Symphony music director designate, conducts the Symphony in its “Holst: The Planets” program March 27. (James Holt / Seattle Symphony)

I reviewed Xian Zhang’s first concert with Seattle Symphony since being named music director designate :

With just a few gestures, Xian Zhang began conjuring a cosmos.

Returning to Benaroya Hall for her first full program since being named Seattle Symphony’s incoming music director, Zhang drew the nearly sold-out concert hall Thursday night into her orbit with her focused, magnetic conducting.

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Filed under: new music, review, Seattle Symphony, Xian Zhang

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