August 1, 2020 • 4:59 am 0
Hearty congratulations to Luís Tinoco and Drumming GP for winning this year’s award for Best Album of Classical Music in the recently announced Prémios da Música Portuguesa (Portuguese Music Prizes).
I reviewed the album, Archipelago, here last year. Delighted to see my high opinion of this music corroborated by the jury.
Filed under: CD review, Luís Tinoco, percussion
July 31, 2020 • 2:42 am 0
Happening today at 2pm EST from 92Y.
The concert stream will be available to ticket buyers (just $10) for one full week from the time of broadcast. View it live, or at your convenience.
The program:
Selected Three-Part Inventions (Sinfonias), BWV 787-801
French Suite No. 3. In D Minor, BWV 812
Partita No. 6 in E Minor, BWV 827
Italian Concerto in F Major, BWV 971
Filed under: Bach, harpsichord, Mahan Esfahani
July 29, 2020 • 11:50 pm 0
It’s startling to realize that the last time the AIDS Memorial Quilt could be displayed on the National Mall in its entirety was 24 years ago. It returned in 2012, but with smaller sections displayed each day over a two-week period. The Quilt has grown far too vast to be shown all at once on the Mall, as it was in 1996. But all 48,000 panels are now accessible online.
From Billy Anania’s report in Hypoallergenic:
While zooming out conveys the immensity of the overall project, focusing on specific panels shows the care and craftsmanship in each one. Many of the individual patches are color-coordinated within each panel, and some panels are even coordinated with their surroundings. Conducting broad keyword searches — like school, church, and prison — leads to panels contributed by collective groups and organizations affected throughout the years. Many of these memorials feel like time capsules from a previous crisis, particularly salient as COVID-19 cases continue to rise in the US.
Reports Smithsonian magazine: “The newly launched digitization commemorates the International AIDS Conference, which was held virtually this year due to the COVID-19 pandemic, and the 40th anniversary of the first reported HIV cases in the United States. When viewing the interactive quilt, users can either appreciate the enormous mosaic in its entirety or zoom in on specific panels, which often include individuals’ names and messages of love. Additionally, virtual visitors can search the quilt for specific names, keywords or block numbers.”
Here’s John Corigliano’s Symphony No. 1: Of Rage and Remembrance, which was inspired by the Quilt
Filed under: John Corigliano, miscellaneous
July 26, 2020 • 11:16 pm 0
Such an inspiring concert: Lyric Opera of Chicago’s Ryan Opera Center tonight presented a virtual concert showcasing and celebrating great Black singers, with tenor Lawrence Brownlee as host. Available on YouTube and Facebook for the next 30 days.
Program notes here.
Cast list:
Lawrence Brownlee, Host and Artistic Advisor
Craig Terry, Pianist and Ryan Opera Center Music Director
Whitney Morrison, soprano
J’Nai Bridges, mezzo-soprano
Will Liverman, baritone
Martin Luther Clark, tenor
Lunga Eric Hallam, tenor
Leroy Davis, baritone
Chris Reynolds, pianist
Members of the Lyric Opera of Chicago Orchestra
Filed under: Lawrence Brownlee, Lyric Opera of Chicago
July 21, 2020 • 10:42 am 0
This looks intriguing: the first-ever live streaming from the ancient theater of Epidaurus. On 25 July at 21.00 Athens time (GMT +2), a performance of The Persians by Aeschylus will be streamed to a global audience via YouTube (donations welcome). All proceeds will benefit the National Theatre and Greek actors impacted by the Covid-19 pandemic.
The performance will be in Greek with English subtitles. To stream, visit livefromepidaurus.gr, National Theatre of Greece, the 2020 Athens and Epidaurus Festival, the Greek Ministry of Culture and Sports, or the National Theatre of Greece’s YouTube channel.
(Thanks to Angelo Nasios for the tip.)
Filed under: ancient Greece, theater
July 17, 2020 • 11:26 am 0
On 18 July at 7:30p.m. (Beijing time), the Shanghai Philharmonic Orchestra (SPO) closes its season with a concert that will be delay-streamed a week later, starting at 1:00p.m. EST (7:00p.m. Central European Time) on Saturday, 25 July, on Facebook and Twitter. The stream will remain available here for viewing for an indefinite period.
SPO Artistic Director Zhang Yi will conduct the orchestra in Bruckner’s Symphony No. 4 (“Romantic”) — part of the ensemble’s complete Bruckner cycle — and Beethoven’s Piano Concerto No. 5 (“Emperor”), with Song Siheng as the soloist.
Filed under: music news, Shanghai Philharmonic Orchestra
July 13, 2020 • 12:11 pm 0
On Thursday, 16 July, Tippet Rise launches its monthly streaming series, Tippet Rise & Friends at Home, with a concert featuring pianist Behzod Abduraimov in a program of works by Liszt, Mussorgsky, Tchaikovsky, and Prokofiev.
I was able to visit Tippet Rise over the last two summers. Its unique landscape makes an indelible impression that can’t be replicated digitally, but a short film titled Tippet Rise from the Sky (a collaboration with the drone master Blastr) will be included with the stream and should at least suggest something of the flavor of this 12,000-acre art center in Montana. The series will be available on the Tippet Rise website at tippetrise.org/virtual-events.
Filed under: COVID-19 Era, music festivals, Tippet Rise
July 11, 2020 • 11:18 am 0
Here’s a new interview with Olga Neuwirth conducted by Boulez Saal’s Philipp Brieler, discussing Pierre Boulez and Neuwirth’s new piece Naufraghi del mondo que hanno ancora un cuore — one of the new works premiered on Saturday’s program. The entire Festival of New Music: Distance/Intimacy is being streamed live and then archived for 30 days. You can find this program here (Neuwirth’s piece begins at 55:00).
Filed under: COVID-19 Era, new music, Olga Neuwirth, Pierre Boulez, Pierre Boulez Saal
July 8, 2020 • 2:47 pm 0
My first official review in quite some time — albeit of a live stream:
Quite by accident, early music groups and chamber ensembles have turned out to have a natural advantage during the current pandemic. Their compact size can more easily accommodate distancing requirements as presenters gingerly proceed to reintroduce public performances. Even more, Il Suonar Parlante pointedly homed in on the theme of plague itself for their choice of programme at the Ravenna Festival…
Filed under: early music, music festivals, Ravenna Festival, review
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