MEMETERIA by Thomas May

Music & the Arts

Simon Woods To Leave SSO for LA Phil

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Simon Woods, who as President & CEO has worked so closely with Ludovic Morlot to reshape the Seattle Symphony and enhance its sense of mission, will head south in January to become Chief Executive Officer of the Los Angeles Philharmonic.

Michael Cooper reports in The New York Times:

In Los Angeles, Mr. Woods will have far greater resources — and a far larger organization to run. The Los Angeles Philharmonic’s annual budget, the largest of any American orchestra, is approximately $125 million — nearly four times Seattle’s, which is $32 million. But he said he was undaunted.

Here’s the full Seattle Symphony press release:

Seattle Symphony Board to Launch Search for Successor

SEATTLE – The Seattle Symphony’s President & CEO Simon Woods, who has led the organization since 2011, will leave in January to become the Chief Executive Officer of the Los Angeles Philharmonic, widely regarded as one of the nation’s most important and forward- looking orchestral organizations. A search committee led by Board Chair Leslie Jackson Chihuly and Chair-Elect René Ancinas will be formed to launch an international search for Woods’ successor.

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Filed under: Los Angeles Philharmonic, music news, Seattle Symphony

Strange Beauty: The Berlioz Requiem in Seattle

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(c) Brandon Patoc

My review of the Berlioz Requiem performed by Ludovic Morlot and Seattle Symphony:

Even for a composer as naturally original as Hector Berlioz, the Grande messe des morts stands apart for its wild uniqueness…

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Filed under: Berlioz, review, Seattle Symphony

The Magic Lute: Aaron Grad’s New Concerto for Electronic Theorbo

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Aaron Grad

My story for the Seattle Times on Aaron Grad’s Strange Seasons, which will receive its world premiere this weekend:

Stories of falling head over heels for an instrument are not unusual. What is unusual is love at first sight — or sound — when that instrument is the theorbo….

 

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Filed under: new music, Seattle Times

Byron Schenkman & Friends Present the Poetry of Schumann

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Byron Schenkman (Will Austin/Will Austin Photography)

For Robert Schumann, the Romantic concept of poetry was the common denominator that inspired him to compose across a wide range of genres…

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Filed under: Byron Schenkman, Schumann, Seattle Times

Making Mozart’s Garden Grow

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Conductor Joseph Colaneri and director Mary Birnbaum during a rehearsal for Mozart’s ‘Finta’

My story on Juilliard’s upcoming production of La finta giardiniera:

It may be hard to imagine that there was a time when pre-Baroque figures were generally treated as an obscure footnote to the alleged master narrative of Western music history. But when it comes to the lifework of individual composers, a similarly myopic attitude is still sometimes found…

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Filed under: Juilliard, Mozart

Overdoing It

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Filed under: photography

Berlioz Festival Coming Up at Seattle Symphony

Hector BerliozMy story on Ludovic Morlot, Seattle Symphony, and Berlioz immersion in the Seattle Times:

Ludovic Morlot’s connection to Hector Berlioz goes deep. When he was 12, his parents moved to a house just a few miles from La Côte-Saint-André, the composer’s native village in the southeastern corner of France.

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Filed under: Berlioz, Ludovic Morlot, Seattle Symphony, Seattle Times

Contemplating End Times with the Emerson Quartet

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Emerson String Quartet Photo by Lisa Marie Mazzucco

My review of the Emerson Quartet’s performance for the White Light Festival at Lincoln Center for Musical America (paywall):

NEW YORK—“Conclusions are the weak point of most authors,” George Eliot famously declared, “but some of the fault lies in the very nature of a conclusion, which is at best a negation.” That may hold true for fiction, but composers glory in the powerful statements they can make when a piece approaches the double bar line. And, in the case of certain composers, music written when their own lives are nearing the end possesses a special mystique.

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Filed under: Beethoven, Emerson String Quartet, Musical America, review, Shostakovich

Layla and Majnun

2d6c2ed6-89ae-11e6-938a-4ee085261bf6-1560x1144Mark Morris and his Dance Group are now giving Layla and Majnun its New York premiere at the White Light Festival. I interviewed Morris for this Seattle Times preview when they performed it last year in Seattle:

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Filed under: dance, Mark Morris

Apt Sky

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Filed under: photography

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