MEMETERIA by Thomas May

Music & the Arts

Overdoing It

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Filed under: photography

Berlioz Festival Coming Up at Seattle Symphony

Hector BerliozMy story on Ludovic Morlot, Seattle Symphony, and Berlioz immersion in the Seattle Times:

Ludovic Morlot’s connection to Hector Berlioz goes deep. When he was 12, his parents moved to a house just a few miles from La Côte-Saint-André, the composer’s native village in the southeastern corner of France.

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Filed under: Berlioz, Ludovic Morlot, Seattle Symphony, Seattle Times

Contemplating End Times with the Emerson Quartet

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Emerson String Quartet Photo by Lisa Marie Mazzucco

My review of the Emerson Quartet’s performance for the White Light Festival at Lincoln Center for Musical America (paywall):

NEW YORK—“Conclusions are the weak point of most authors,” George Eliot famously declared, “but some of the fault lies in the very nature of a conclusion, which is at best a negation.” That may hold true for fiction, but composers glory in the powerful statements they can make when a piece approaches the double bar line. And, in the case of certain composers, music written when their own lives are nearing the end possesses a special mystique.

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Filed under: Beethoven, Emerson String Quartet, Musical America, review, Shostakovich

Layla and Majnun

2d6c2ed6-89ae-11e6-938a-4ee085261bf6-1560x1144Mark Morris and his Dance Group are now giving Layla and Majnun its New York premiere at the White Light Festival. I interviewed Morris for this Seattle Times preview when they performed it last year in Seattle:

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Filed under: dance, Mark Morris

Apt Sky

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Filed under: photography

Musical America New Artist of the Month: Seth Parker Woods

This afternoon Seth Parker Woods makes his debut at the acclaimed Phillips Collection Sunday concerts series.

MEMETERIA by Thomas May

Musical America is featuring cellist Seth Parker Woods as New Artist of the Month for October. My profile here.

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Filed under: Uncategorized

Secret Gardens

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Filed under: photography

Angel in America

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My essay for the Metropolitan Opera on Thomas Adès’s The Exterminating Angel. The Met’s production opens next week and will be the North American premiere:

Not every composer has a knack for finding operatic potential in unlikely sources. But over the past two decades, Thomas Adès has followed his dramaturgical instinct to some of the most spectacular successes in contemporary opera…

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Filed under: Metropolitan Opera, new opera, Thomas Adès

Gidon Kremer with Seattle Symphony

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Gidon Kremer; © Paolo Pellegrin

My review of Gidon Kremer’s visit with Seattle Symphony:

It’s entirely characteristic of Gidon Kremer to choose a discovery piece rather than a surefire crowd-pleaser for what was a rare appearance in Seattle…

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Filed under: Gidon Kremer, Ludovic Morlot, Mendelssohn, review, Schumann, Seattle Symphony

Dmitry Sinkovsky’s Vivaldi Project

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Dmitry Sinkovsky (Photo credit: Marco Borggreve)

Casting a spell over your audience as a violin virtuoso is remarkable enough. But some musicians are real overachievers.

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Filed under: Seattle Symphony, Seattle Times, Uncategorized, Vivaldi

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