Here’s my review for Gramophone of Osvaldo Golijov’s remarkable new collaboration with Silkroad Ensemble, Falling Out of Time.
Though conceived and created well before the pandemic, Osvaldo Golijov’s latest collaboration with Silkroad Ensemble seems uncannily well suited to the era of corona.
Seth Parker Woods and Friends in Difficult Grace at Seattle Symphony’s Octave 9.
It’s been very difficult trying to think about anything other than the Covid-19 pandemic. Already several loved ones have become ill with the disease, and one admired acquaintance has died.
With so much angst and sorrow, we are only 10 days into the state of emergency declared for Washington State, while other areas — in the unconscionable absence of federal guidance and leadership — are recklessly carrying on as usual.
Here’s what now seems a surreal glance back to happier times, which I wrote only a little over a month ago for Gramophone magazine’s April issue: some thoughts on Seth Parker Woods, Patricia Kopatchinskaja, and Gidon Kremer at Seattle Symphony’s Octave 9 space.
I’ve been contributing to Gramophone magazine’s ongoing series on North American venues, starting with a guide to Seattle’s Benaroya Hall. Here’s a link to that piece.
As part of its 2018 Classical Music Awards, Gramophone magazine has announced the winner of Orchestra of the Year, an inaugural category whose victor was determined by a public vote. SSO was the only non-European orchestra in the running.
‘Listen boldly’ enjoins the logo which the Seattle Symphony introduced in 2011 to mark the beginning of Music Director Ludovic Morlot’s tenure. In the years since, that challenge has been directed not just to their audience but to the organisation itself. Listening boldly means acknowledging the need to reimagine its own identity and taking steps to reposition the SSO within an increasingly compartmentalised cultural landscape.
Gramophone has announced the ten recordings that are the winners of the magazine’s classical music awards for 2018:
—CHAMBER
Dvořák: Piano Quintets
Boris Giltburg pf Pavel Nikl va Pavel Haas Quartet (Supraphon)
—CHORAL
Pärt: Magnificat. Nunc dimittis Schnittke Psalms of Repentance
Estonian Philharmonic Chamber Choir / Kaspars Putniņš (BIS)
—CONCERTO
Bartók: Violin Concertos Nos. 1 and 2
Christian Tetzlaff violin Finnish Radio Symphony Orchestra / Hannu Lintu (Ondine)
—CONTEMPORARY
Dusapin: String Quartets Nos. 6 and 7
Arditti Quartet; Orchestre Philharmonique de Radio France / Pascal Rophé (Aeon)
—EARLY MUSIC Music from the Peterhouse Partbooks, Vol 5 Blue Heron / Scott Metcalfe (Blue Heron)
—INSTRUMENTAL
Brahms: Piano Pieces, Opp. 76, 117, and 118
Arcadi Volodos (Sony Classical)
—OPERA
Berlioz: Les Troyens
Soloists include DiDonato, Spyres, Lemieux; Strasbourg Philharmonic Orchestra / John Nelson (Erato)
—ORCHESTRAL
Ravel: Daphnis et Chloé
Ensemble Aedes; Les Siècles / François-Xavier Roth (Harmonia Mundi)
—RECITAL Agitata
Delphine Galou mezzo-soprano Accademia Bizantina / Ottavio Dantone harpsichord (Alpha Classics)
—SOLO VOCAL Secrets
Marianne Crebassa mezzo-soprano Fazıl Say piano (Erato)
Stay tuned for the announcement of Recording of the Year on 13 September at the London awards ceremony, which will be livestreamed on medici.tv. Also to be named at that time: Orchestra of the Year, Artist of the Year, Young Artist of the Year, Label of the Year, and the recipient of the Lifetime Achievement Award.
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