(c) Sarah Shatz/New York City Opera
The tag “CNN opera” was always a misleading way to refer to operas grappling with current events, but it’s downright insulting when it comes to a work like Fallujah, the chamber opera by the Canadian composer Tobin Stokes and the Iraqi-American librettist Heather Raffo that just received its East Coast première in a co-production by New York City Opera and Long Beach Opera.
Filed under: new music, New York City Opera, review
MEMETERIA by Thomas May 