MEMETERIA by Thomas May

Music & the Arts

Deutsche Oper Offers Two Back-to-Back Rarities: Der Zwerg and Rienzi

Mick Morris Mehnert and David Butt Philip-Monika Ritterhaus

Mick Morris Mehnert and David Butt Philip as the title character in Alexander Zemlinsky’s Der Zwerg (c)Monika Ritterhaus

For Musical America, I reviewed two productions of rarities appearing this month at Deutsche Oper: Alexander Zemlinsky’s moving and powerful Der Zwerg and Rienzi, Richard Wagner’s early appropriation of French grand opera.

BERLIN — Deutsche Oper presented a pair of rarely seen operas in rotation over the past few weeks: Alexander Zemlinsky’s unfairly neglected Der Zwerg (“The Dwarf”) and Richard Wagner’s grandiose early breakthrough, Rienzi — a work understandably overshadowed by what came after it.

Zemlinsky tends to show up as little more than a footnote in discussions of Schoenberg (his student) and Mahler (his sexual rival) — both of whose work he championed. But this compelling production of his one-act opera (which premiered in 1922) left no doubt that Zemlinsky is long overdue for a proper and sustained revival…

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Filed under: Alexander Zemlinksy, Deutsche Oper, Donald Runnicles, Musical America, review, Wagner

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