My first official review in quite some time — albeit of a live stream:
Quite by accident, early music groups and chamber ensembles have turned out to have a natural advantage during the current pandemic. Their compact size can more easily accommodate distancing requirements as presenters gingerly proceed to reintroduce public performances. Even more, Il Suonar Parlante pointedly homed in on the theme of plague itself for their choice of programme at the Ravenna Festival…
Filed under: early music, music festivals, Ravenna Festival, review
MEMETERIA by Thomas May 