Iréne Theorin as Brünnhilde with members of the San Francisco Opera Chorus in Wagner’s “Götterdämmerung.” Photo: Cory Weaver/San Francisco Opera
Here’s the final installment of my coverage for Musical America of San Francisco Opera’s extraordinary Ring cycle.
SAN FRANCISCO—If Siegfried highlights Zambello’s ability to tease out vital, three-dimensional characters from a deceptively simple surface, Götterdämmerung shows her clarifying the most complex component of the entire cycle–an installment which introduces an entire generation of characters new to the Ring–with a gripping theatrical momentum. The night/day dichotomy of the Prologue aptly summed up the diametrical viewpoints of this staging…
The conductor Donald Runnicles concluded his tenure with the BBC Scottish Symphony Orchestra on the last day of the 2016 Edinburgh International Festival with a performance of Schoenberg’s epic Gurre-Lieder at Usher Hall.
The gargantuan forces needed bring to mind the festival atmosphere Mahler’s Eighth Symphony also evokes. Here’s a sampling of the reviews:
And so this concert summed up the kind of playing that he and this orchestra have developed together – a rich glow at the heart of the strings and a capacity to turn on a dime and power up almighty sounds.
Runnicles is particularly well known for his interpretations of the core Austro-German Romantic repertoire, so Gurrelieder plays to his strengths. Under his baton Schoenberg’s ripe score yields up its influences. There is Wagner in the love music, of course, but also Bruckner in the solemnity of the Wood-Dove, Beethoven in the nature-painting and, of course, Mahler in the scale and structure. That scale could be pretty overpowering at times, and not just in the final, overwhelming greeting to the sun that ends the work. The sweep and surge of the love music was intoxicating, as was the wall of brass and percussion that accompanied the chorus’ romping as the hellish riders. What was most striking, however, was the way Runnicles repeatedly brought out the delicacy of the orchestration.
[Schoenberg’s] mega-cantata Gurrelieder, was the vehicle chosen to whisk us off on such a glorious journey, driven by the massively-inflated forces of the BBC Scottish Synphony Orchestra, a male-dominated Edinburgh Festival Chorus, five soloists and speaker, all under the towering leadership of maestro Donald Runnicles, and formulated by a musical language gathering up the scraps of Wagner, colouring them with whole-tone harmonic treats from Debussy, sweeping up Mahler in its tracks before opening the gates to teasers of the world-changing Schoenberg-to-come.
A new TV series from the comedian Ramy Youssef — based on his own experience growing up as an Egyptian American in New Jersey — is trying out some different first-generation narratives.
Cartoonist Peter Bagge takes on the life of another independent woman in Credo, his biography of pioneering libertarian Rose Wilder Lane (also known for being the daughter of Laura Ingalls Wilder).
In our latest "Missed Connections," Helen Chapple, Saul Blair and Graham Hinton reunite to talk about how a humanitarian trip to Africa 50 years ago changed the trajectory of their lives.
A new HBO show takes on the life of Anne Lister, a real-life British landowner of the 1830s whose voluminous coded diaries detailed her extensive — and sometimes open — love affairs with women.
Ilaria Tuti's crime thriller, set in the mountains of northern Italy, stars a classic odd couple of cops: A gruff, aging, unhealthy veteran detective and her young whippersnapper of a partner.
Author Anna Merlan's recitations are chilling, as are her warnings that fringe beliefs tend to go mainstream — and how their rise is seen against a resurgence in nationalism and white supremacy.
Charles Nix, Mitch Goldstein, and Sarah Hyndman talk to NPR's Scott Simon about a recent face-lift to the typeface Helvetica, which recently got its first redesign in 35 years.
To celebrate the centennial of the modern-dance pioneer's birth, dancers at theaters in London, New York and Los Angeles performed a total of 100 solos that the master choreographed.
Duanwad Pimwana is one of Thailand's preeminent female writers, and this newly translated story collection — while not uniformly flawless — lets readers watch her grow into a true master of the form.
Moms perform heroic tasks every day, but they rarely get portrayed as superheroes. Fast Color tells the story of three generations of black women and the supernatural powers they inherit.
