Nike Wagner, the third of revolutionary director Wieland Wagner’s four children and the great-granddaughter of Richard, headed the Weimar Festival for a decade before being named new director of the Beethoven Fest Bonn.
Here’s an interview (in English) she recently gave host Peter Craven for Deutsche Welle’s Talking Germany program. Craven gets Nike to talk about what it was like growing up after 1945 as a Wagner, her relationship to the family (and especially her father), and its connections to Hitler.
There’s not very much about great-grandpa himself, though she attempts a capsule summary of the essence of Wagner’s genius. And Nike discusses some of her ideas about the Beethoven Festival, including the importance of dramaturgically thoughtful programming.
On his blog, Craven offers a few more glimpses of his guest:
Our initial encounter is very warm. She offers me a hand and, while I’m thinking that I like this lady, I’m also registering just how small her hand is, how thin her bones, and how frail and delicate she seems. It’s certainly a light frame, I reflect, to shoulder the heavyweight history of her family and the role it has for the better part of two centuries played here in Germany.
Eventually he gets Nike Wagner to share this:
“You know, everybody has a specific weight. I’m light. I love to jump, to run, to swim. And … what do you call it in English? … to hover. Not in a moral way. They always think I’m strict. I can be strict. I’m not a moralist: but any kind of injustice drives me mad. I change planes, trains, apartments. But I’m faithful. When I love a person, I love a person. And I love to go dancing. Waltzing. Discotheques. Well, not any more. Private parties these days. I love to move!”
As a descendant of Richard and Cosima Wagner, Nike is also the great-great-granddaughter of Franz Liszt. Here’s an interview (in German) on her planning while she was still heading the Weimar Festival:
Filed under: Beethoven, music festivals, Wagner