MEMETERIA by Thomas May

Music & the Arts

Spoleto Festival USA: Relishing the Challenge

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Adrian Angelico (Marquise de Merteuil) and  Christian Miedl (Valmont); photo by Leigh Webber Photography

Part Two of my report on the 2017 edition of Spoleto Festival USA is now live on Musical America (subscription required):

CHARLESTON, SC—Last year marked the 40th anniversary of Spoleto Festival USA, but this year’s edition underscores what I regard as one of the festival’s most admirable traits: a refusal to rest on laurels. Spoleto took a notable dare in programming Luca Francesconi’s profoundly unsettling Quartett among this summer’s opera offerings.

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Filed under: Musical America, new music, review, Spoleto Festival USA

Spoleto Festival USA: Historical Contexts, Contemporary Impulses

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Vivaldi’s Farnace starring Anthony Roth Costanzo at 2017 Spoleto Festival (first-ever fully staged production in U.S.); photo by Leigh Webber Photography

Part One of my report on the 2017 edition of Spoleto Festival USA is now live on Musical America (subscription required):

CHARLESTON, SC—Spoleto Festival USA has a way of weaving the threads of history into fascinating, unexpected patterns. The 450-seat Dock Street Theater [below], where Vivaldi’s Farnace is now receiving a superlative production, sits on the site of a theater that initially opened in 1736—just nine years after Vivaldi introduced the work at the Teatro Sant’Angelo in his native Venice.

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Filed under: Musical America, review, Spoleto Festival USA

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