MEMETERIA by Thomas May

Music & the Arts

Damien Geter’s African American Requiem

Learn more about composer (and bass-baritone and actor) Damien Geter‘s remarkable new work, An African American Requiem, in my cover story for the current issue of Chorus America’s The Voice, which explores this and other examples of “secular requiems” by contemporary composers (starts on p. 26).

The world premiere by Portland’s Resonance Ensemble, which commissioned the work, was originally scheduled for May but had to be postponed because of the pandemic. Resonance now plans to give the premiere on 22 January 2021.

Filed under: African-American musicians, American music, choral music, new music

Porgy and Bess Roundtable from PostClassical Ensemble

Following up on my post from the beginning of the month, here’s a distillation of PostClassical Ensemble’s 10 June zoom chat titled “Porgy and Bess Roundtable: What’s It About and Who’s Singing It?”

The panelists include George Shirley, the first African-American tenor to sing lead roles at the Metropolitan Opera, the bass-baritone Kevin Deas, one of the leading Porgys on today’s scene, Conrad Osborne, an expert in opera in performance, will also join in, and PCE founder Joseph Horowitz, with Bill McGlaughlin hosting. They also sample some historic Porgy recordings.

For more on this topic, here is Horowitz’s recent post: “Porgy Takes a Knee — Porgy and Bess and the American Experience of Race“:

“It’s interesting that Gershwin chose as his protagonist a person who’s on his knees. ‘Taking a knee’ has never been more relevant.”

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Filed under: African-American musicians, American music, George Gershwin, PostClassical Ensemble

Conductor’s Panel

_B0A5603 Roderick Cox

Here is a link to Conductor’s Perspective, a Facebook live conversation that took place today among these four American conductors: Roderick Cox, who hosted, Thomas Wilkins, Music Director of the Omaha Symphony and Hollywood Bowl Orchestra, Michael Morgan, Music Director of the Oakland Symphony, and Jonathon Heyward, the Nordwestdeutsche Philharmonie’s Chief Conductor Designate.

It’s an inspiring, cross-generational panel discussion that frankly covers the hurdles African-American musicians have faced — and continue to face — as well as the artistic passions that drive these outstandingly talented conductors.

Filed under: African-American musicians, conductors

PostClassical Ensemble’s More than Music Turns the Spotlight on Gershwin

PostClassical Ensemble — the “experimental orchestral laboratory” founded in 2003 by Joseph Horowitz and Angel Gil-Ordonez — has been reflecting on music’s role in society through a series called “More then Music,” which presents audio/video webcasts and associated zoom chats.

With the new challenges it poses to institutions we’ve taken for granted, the coronavirus pandemic has intensified the urgency of thinking about these issues of music and its social function — as opposed to abstracting the art into a “purely” aesthetic construct.

The latest edition of PCE’s More than Music series focuses on George Gershwin and a time of creative ferment that was tearing down conventional walls around self-described “serious” music.

PCE has just released the video linked above, The Russian Gershwin, featuring commentary by Joseph Horowitz (PCE Executive Producer) and Angel Gil-Ordóñez (PCE Music Director), with Bill McGlaughlin as the host.

There will be two follow-up zoom chats free and open to the public, both from 6 to 7pm EST. The first one, on 4 June, “A Gershwin Roundtable,” will be a discussion with Horowitz, Gil-Ordóñez, the pianist Genadi Zagor, and Mark Clague, director of the Gershwin Initiative at the University of Michigan. It will also include a live performance by the jazz artist Karrin Allyson.

The 10 June chat is titled “Porgy and Bess Roundtable: What’s It About and Who’s Singing It?” Along with Horowitz, Gil-Ordóñez, and Clague, special guests will include two pre-eminent singers who are authorities on Porgy and Bess: George Shirley, the first African-American tenor to sing lead roles at the Metropolitan Opera, and the bass-baritone Kevin Deas, one of the leading Porgys on today’s scene. Conrad L. Osborne, an expert in opera in performance, will also join in, and there will a discussion of historic Porgy recordings. Bill McGlaughlin hosts both zoom chats.

More details and sign-up links to the free zoom chats here.

Filed under: African-American musicians, George Gershwin, PostClassical Ensemble

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