August 11, 2020 • 9:06 pm Comments Off on John Adams: Live Score Reading and Chat
This Thursday at 3pm EST, join John Adams and conductor David Robertson for a real-time discussion of Doctor Atomic Symphony. They’ll give a close reading of the score, using a recording by the Juilliard Orchestra conducted by Adams himself. This is part of the live-score chat series hosted by Boosey & Hawkes.
Filed under: John Adams
February 15, 2020 • 10:38 am Comments Off on Happy Birthday, John Adams
A very happy birthday to John Coolidge Adams, who turns 73 today. The clip above, City Noir, is one of the pieces on the program when Adams guest conducts the Seattle Symphony in April. He’ll also present Must the Devil Have All the Good Tunes, his brilliant new piano concerto, with Jeremy Denk as the fiendish soloist.
(I haven’t noticed yet whether Sony Classical has sent out a message celebrating “the composer of Become Ocean.”)
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September 27, 2019 • 7:21 am Comments Off on New from John Adams: I Still Dance
John Adams’s latest composition was recently given its world premiere by Michael Tilson Thomas and the San Francisco Symphony. Here’s my program note introducing I Still Dance:
The unique creative exchange between John Adams and the San Francisco Symphony spans four decades and represents one of the most significant success stories in the collaboration among contemporary American composers, orchestras, and audiences.
Filed under: John Adams, Michael Tilson Thomas, program notes, San Francisco Symphony
December 6, 2018 • 2:42 pm Comments Off on John Adams on the Yin and Yang of His Musical Life
My story for the Juilliard Journal on John Adams as he returns to conduct the Juilliard Orchestra next week at Alice Tully Hall. Program details here.
“What does it take to move us from our customary place?” John Adams asked in his commencement speech to the Juilliard class of 2011. “That is what we want when we confront a work of art, whether it’s a completely new creation or an impassioned performance of a masterwork from the past.” The acclaimed composer returns to Juilliard December 10—this time to conduct the Juilliard Orchestra in a program that pairs the Brahms Fourth Symphony with two 21st-century pieces: Ciel d’hiver by Finnish composer Kaija Saariaho and Adams’ own Doctor Atomic Symphony.
Filed under: Brahms, conductors, John Adams
August 6, 2018 • 1:56 pm 1
JULIA BULLOCK (KITTY OPPENHEIMER). PHOTO CREDIT: KEN HOWARD FOR SANTA FE OPERA, 2018
Here’s my review for Musical America of the new production of John Adams’s Doctor Atomic, which Peter Sellars directed for Santa Fe Opera:
SANTA FE, NM—As with any classic tragedy, from the outset we already know the denouement of Doctor Atomic: The world’s first atomic bomb will be successfully detonated in the New Mexican desert at dawn on July 16, 1945—a prelude to the atrocities of its use less than a month later on Hiroshima and Nagasaki.
Review here:
Doctor Atomic-Musical America-review
Filed under: John Adams, Musical America, Peter Sellars, review, Santa Fe Opera
December 14, 2017 • 10:23 am Comments Off on John Adams, with Strings Attached
John Adams. Photo by Margaretta Mitchell
My new John Adams profile for Strings is now available online:
In the contemporary music world, writing opera tends to generate the sexiest headlines and, at least temporarily, to garner more widespread attention….
Filed under: John Adams, profile, Strings
August 22, 2017 • 1:55 pm Comments Off on Alice Goodman: New York Times Profile
Alice Goodman in Fulbourn, England. Credit Nadine Ijewere for “The New York Times”
My New York Times story on the poet and librettist Alice Goodman is now online:
When “Nixon in China” had its premiere at Houston Grand Opera on Oct. 22, 1987, there had never been anything quite like it. No previous American opera — perhaps no opera, ever — had so boldly dealt with recent political history…
Filed under: Alice Goodman, American literature, American opera, John Adams, librettists, New York Times, Peter Sellars, Uncategorized
July 14, 2017 • 8:42 am 2
First night of the BBC Proms 2017! Tonight’s program includes a world premiere for the opener — Tom Coult’s St John’s Dance — Beethoven’s Piano Concerto No. 3 with the remarkable Igor Levit as soloist, and Harmonium by John Adams, with Edward Gardner on the podium.
Harmonium is an early Adams work — his first major commission for San Francisco Symphony — and sets poetry by Emily Dickinson and John Donne. Adams recalls:
Harmonium was composed in 1980 in a small studio on the third floor of an old Victorian house in the Haight-Ashbury district of San Francisco. Those of my friends who knew both the room and the piece of music were amused that a piece of such spaciousness should emerge from such cramped quarters.
Filed under: BBC Proms, Beethoven, John Adams
February 15, 2017 • 12:00 am Comments Off on Happy 70th Birthday, John Adams!
Today John Adams celebrates his 70th birthday. We have countless reasons to be grateful for what he’s already given the world. And he has so much left to say, as works of more recent vintage like The Gospel According to the Other Mary demonstrate.
Here’s a bit on JA’s ongoing relationship with San Francisco Symphony, which gives the Bay area premiere of this masterpiece starting Thursday:
You would be forgiven for imagining a clever director had coached a miniature army of body doubles, or that a music-mad bioengineer had disseminated a few clones: John Adams seems to be intercontinentally omnipresent this season—in London, Paris, Berlin, New York, Los Angeles. This month, when he actually reaches the biblical milestone of 70 (February 15), he is right back home, with his music as the centerpiece of a three-weekend celebration by the San Francisco Symphony.
San Francisco Symphony on JOHN ADAMS: CELEBRATING 70 YEARS
Filed under: John Adams, San Francisco Symphony
September 17, 2016 • 8:22 am Comments Off on John Adams in Berlin
John Adams has just started his season as artist-in-residence with the Berlin Philharmonic — with a program in which he also makes his debut conducting the Berliners.
BP’s Digital Concert Hall will live stream tonight’s performance (19:00 Berlin time). My essay for the Berlin Philharmonic program is available on the labeled tab here.
Filed under: Berlin Philharmonic, John Adams
Arts & Culture Stories from NPR
MEMETERIA by Thomas May 