For The Strad, I spoke with the Takács Quartet’s new cellist, Mihai Marica, about joining the ensemble and stepping into András Fejér’s chair. The quartet’s current tour brings its new line-up to Carnegie Hall for the first time this Friday, joined by pianist Jeremy Denk:
US violinist Karisa Chiu, 27, has won the Gold Medal at the 12th International Violin Competition of Indianapolis.
Elli Choi, 25, also from the US, received the Silver Medal, while Aozhe Zhang, 18, from China, took Bronze. Xunyue Zhang, 22, from China, placed fourth; Yesong Sophie Lee, 22, from the US, fifth; and Lina Nakano, 21, from Japan, sixth.
It was such a pleasure meeting and hearing the Banff-winning, innovative Poiesis Quartet at Lucerne Festival, where they played in the prestigious Debut series. Here’s my interview with violinist Sarah Ying Ma and cellist Drew Dansby for The Strad:
On the eve of their Lucerne Festival debut, Sarah Ying Ma and Drew Dansby of the Banff-winning American Poiesis Quartet talk about a changing line-up, an expanding repertoire and the ideas shaping the ensemble’s next chapter….
Jessie Montgomery and Abel Selaocoe at the North American premiere with the Toronto Symphony; photo: Allan Cabral, courtesy of the Toronto Symphony Orchestra
I had a chance to do a Strad interview Jessie Montgomery about her new cello concerto These Righteous Paths – a work shaped by Abel Selaocoe’s multifaceted artistry and rooted in the poetry of her late mother, Robbie McCauley.
American composer Jessie Montgomery’s These Righteous Paths enters the world with the momentum of a major international concerto. Written for the South African cellist Abel Selaocoe and created in close collaboration with him, the work has had an unusually broad launch… continue
The extraordinary violinist Vijay Gupta has built a career around asking where classical music can matter – and to whom – from the LA Phil to Street Symphony’s work in shelters, clinics, and prisons.
I had the privilege of interviewing Gupta for The Strad about his inspiring new memoir, Restrung, and why, as he puts it, “classical music needs a new why.”
Vijay Gupta had played Carnegie Hall as a child, studied at Juilliard and Yale, and joined the Los Angeles Philharmonic when he was only 19, making him one of the youngest violinists to enter the ranks of a major American orchestra. At an early age, he seemed already to have reached the destination so many young string players are trained to imagine as success…
Caroline Shaw and Andrew Yee; photo: Photo: Anja Schüts
I had the pleasure of speaking with cellist and composer Andrew Yee at the recent Ojai Music Festival for The Strad. We talked about her new album with Caroline Shaw, or, The Whale:
Always a pleasure to speak with cellist and composer Paul Wiancko. Looking ahead to his third season leading the chamber music series at Spoleto Festival USA, he shared some thoughts on the series and what’s in store for the 2026 edition, which opens on May 22:
British violinist Peter Sheppard Skærved, known for his wide-ranging repertoire and interdisciplinary work, discusses the challenges and rewards of recording Hersch’s monumental cycle engaging with the paintings and drawings of Peter Weiss… continue
Australian Chamber Orchestra at Carnegie Hall; photo (c) Jorge Gustavo Elias
Another remarkable concert during my recent New York trip: on its current 50th-anniversary tour, the Australian Chamber Orchestra stopped at Carnegie Hall with a substantial program including the world premiere of John Luther Adams’s complete Horizon for string orchestra. Here’s my review for The Strad:
For its 50th-anniversary tour stop at Carnegie Hall, the Australian Chamber Orchestra (ACO) made a notably bold move. Rather than rely on safely familiar repertoire spiced with a token contemporary addition, the ensemble devoted half the programme to the world premiere of Horizon by John Luther Adams, a two-part composition that spans some 40 minutes, in which change registers in minute, often barely perceptible shifts….
I interviewed Franco-Belgian cellist Camille Thomas for The Strad about the creation of her new album Rendez-vous, a project that she and pianist Julien Brocal conceived during a recent residency at Tippet Rise Art Center.