MEMETERIA by Thomas May

Music & the Arts

Women’ s Indelible Mark on Classical Music

saariahoMy December began with one of the most thrilling performance experiences in a very long time: the Met Opera premiere of Kaija Saariaho’s L’amour de loin. Another highlight this year was Julia Bullock’s performance in the revised version of Saariaho’s La Passion de Simone at the Ojai Festival.

In honor of Saariaho, here’s a piece I wrote this past spring about women in music:

It took until 1920 for the 19th Amendment to the U.S. Constitution to be ratified, guaranteeing female citizens the right to vote. But almost 100 years later, the status quo in classical music still needs a whole lot of shaking up if women are to have any chance of fair representation.

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Filed under: essay, Saariaho, women composers

Courageous Women, Transcendent Visions

JuliaBullock

soprano Julia Bullock

My feature on this year’s Ojai at Berkeley Festival curated by Peter Sellars has now been posted:

This year’s Ojai at Berkeley festival focuses on the artistry and impact of powerful, visionary women—not only as creators and performers but as the subjects of the artworks themselves.

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Filed under: Ojai Festival, Peter Sellars, Saariaho

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