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Arts writing by Thomas May

From Chamber Intimacy to the Edge of Chaos: Ehnes and Zhang in Seattle

James Ehnes, Xian Zhang and the Seattle Symphony; © Seattle Symphony | James Holt

For Seattle audiences, James Ehnes is more than another internationally celebrated soloist dropping in for a guest appearance. He has described both the city and Benaroya Hall as places he thinks of as home….

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Filed under: Berlioz, James Ehnes, Max Bruch, review, Seattle Symphony, Xian Zhang

Bruch Plus Strauss: Curious Pairing, Inspired Playing in Semyon Bychkov’s Latest NYPO Engagement

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Semyon Bychkov © Umberto Nicoletti

For his recent pair of programs guest conducting the New York Philharmonic over the past two weeks, Semyon Bychkov has made a point of combining familiar repertoire with new discoveries. At the end of April, it was a Brahms symphony with the American premiere of Thomas Larcher’s Symphony no. 2 (Kenotaph), a response to the tragedy of refugees who have drowned in the Mediterranean. The Russian returned to the podium for a second program that placed Strauss’s Ein Heldenleben side-by-side with a piece that might as well have been a premiere: the last time the NY Phil performed the Concerto for Two Pianos and Orchestra (Op.88a) by Max Bruch was in 1917.

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Filed under: Max Bruch, New York Philharmonic, review, Strauss

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