April 23, 2024 • 3:51 pm 0
Mozart’s remarkable return to opera seria at the end of his life with La Clemenza di Tito is the choice for this year’s spring production by Juilliard Opera. Directed by the wise Stephen Wadsworth and with Nimrod David Pfeffer, the performance is on 24, 26, and 28 April at Alice Tully Hall at 7.30 pm. Tickets here.
My program essay for the production can be found here.
Filed under: Juilliard, Mozart, music news, program notes
May 5, 2023 • 5:49 pm Comments Off on Composing Inclusion: Juilliard and New York Philharmonic
A new model for promoting diversity in the concert hall through a multifaceted collaboration among composers, performers, and educators reaches one of its first milestones this weekend. The inaugural orchestral concert of Composing Inclusion, a partnership between the Preparatory Division, the New York Philharmonic, and American Composers Forum, takes place on May 6 at the renovated David Geffen Hall.
My preview of this event for the Juilliard Journal is here.
Here’s my profile of James Díaz, whose and does the Moon also fall? is among the new commissions.
The program:
Jordyn Davis
As I AM (World premiere—Juilliard Preparatory Division Co-Commission with the New York Philharmonic and American Composers Forum)
James Díaz
and does the Moon also fall? (World premiere—Juilliard Preparatory Division Co-Commission with the New York Philharmonic and American Composers Forum)
Trevor Weston
Subwaves (World premiere—Juilliard Preparatory Division Co-Commission with the New York Philharmonic and American Composers Forum)
Jordyn Davis’ and James Diaz’ commissions are part of Composing Inclusion: a collaboration between the New York Philharmonic, American Composers Forum, and Juilliard’s Preparatory Division, made possible with funding from the Sphinx Venture Fund.
Trevor Weston’s work was co-commissioned by American Composers Forum, Juilliard’s Preparatory Division, and the New York Philharmonic. It was funded, in part, with support from the National Endowment for the Arts.
Filed under: Juilliard, music news
February 19, 2023 • 12:13 am Comments Off on Missy Mazzoli’s Proving Up at Juilliard
At 2pm ET, Juilliard Opera is presenting the amazing opera Proving Up, with music by Missy Mazzoli and a libretto by Royce Vavrek based on the short story by Karen Russell. Mary Birnbaum is the director, and Steven Osgood conducts.
More background in my program essay here.
You can watch a livestream here — note that this performance won’t be available to stream afterward on demand.
Filed under: American opera, Juilliard, Missy Mazzoli
February 10, 2023 • 5:53 pm Comments Off on Purcell’s King Arthur
Juilliard415 is teaming up with students from the Marcus Institute for Vocal Arts and Juilliard Drama to give a rare performance of a new version of Henry Purcell’s “semi-opera” King Arthur at Alice Tully Hall on Saturday 11 February at 7.30pm NYC time. Lionel Meunier directs this interdisciplinary collaboration.
More background in my program essay here. .
You can watch a livestream here — note that this performance won’t be available to stream afterward on demand.
Filed under: early music, Henry Purcell, Juilliard
April 11, 2022 • 2:03 pm Comments Off on Joel Sachs’s Farewell Concert
It’s hard to process the reality that Joel Sachs has decided to retire as of June 30 after 52 years of teaching and music making at Juilliard; he will hold the status of professor emeritus. Generations of musicians and musical thinkers have been mentored by Sachs, who as a conductor, pianist, and curator has also made invaluable contributions to new music. I’ve been immensely privileged over the years to benefit from his incredible wisdom while editing the programs he single-handedly writes for Juilliard’s always-stimulating Focus festival at the beginning of the year. Zachary Woolfe wrote about Sachs and the 2022 edition of Focus in The New York Times here.
Sachs tonight conducts the New Juilliard Ensemble, which he founded and has led for 29 seasons, in their final concert of the season and his own farewell concert (at 7.30 pm ET).
The program, which will be live-streamed, is characteristically intriguing and full of discoveries:
Yangfan XU Fantastic Creatures of the Mountains and Seas
Lennox Thuy Duong, Narrator
Paul FREHNER Sometimes the Devil Plays Fate
Mary Beth Nelson, Mezzo-Soprano
Diana SYRSE The Invention of Sex
Diana Syrse, Soprano
Paul DESENNE Sinfonía Burocràtica ed’Amazzònica
A digital program can be found accesible digital program.
Writes Sachs in his farewell announcement: “Of course, I have mixed feelings–making music with our great young performers is always a huge pleasure. But having arrived at age 82 in excellent health, it struck me as time to move on to other projects–recording, performing as a pianist, and writing–and to indulge in luxuries that come with an open schedule, such as more traveling and more time with my children and grandchildren.”
I’m looking forward to the next project Joel Sachs will be sharing with us. In the meantime, warmest congratulations!
Filed under: Joel Sachs, Juilliard, music news, new music
January 23, 2022 • 10:06 am Comments Off on Juilliard’s Focus 2022: The Making of an American Music, 1899-1948
Tonight is the opening program in Juilliard’s weeklong Focus 2022 Festival, which will tackle the theme The Making of an American Music, 1899-1948. And all events will be livestreamed through Juilliard LIVE on the school’s website.
I had the privilege of editing the program book and can attest that these carefully curated programs are well worth your attention. From the recent New York Times article on Focus and its founder and director, the remarkable Joel Sachs: “’It blossomed into a kind of monster,’ Sachs said, chuckling. “The program book is 88 pages. But it’s a really interesting period.'” [link to program book]
Filed under: American music, Joel Sachs, Juilliard
April 3, 2020 • 12:32 am Comments Off on The Mother of Us All Tonight
This evening at 7pm EST, the Met Museum hosts the digital premiere of The Mother of Us All by Virgil Thomson to Gertrude Stein’s libretto about Susan B. Anthony and the women’s suffrage movement.
The production, which was filmed during live performances at the Met’s sculpture court in the American Wing in February, is a collaboration between Juilliard and the New York Philharmonic (and part of the latter’s ongoing Project 19 initiative.
Watch the premiere on Facebook, YouTube, or at the bottom of the Met’s page here.
Louisa Proske, the production’s brilliant director, offers an introduction here:
Filed under: American opera, directors, Juilliard, New York Philharmonic
March 2, 2020 • 12:19 am Comments Off on Jörg Widmann
My new profile of Jörg Widmann for the Juilliard Journal:
Which Jörg Widmann would you like to meet? The prolific artist who appears on Bachtrack.com’s list of the top 10 most frequently performed living composers for 2019 (alongside figures like Philip Glass and John Adams)? The virtuoso clarinetist who has inspired numerous new compositions? The conductor of major international orchestras? The erudite lecturer? The teacher and mentor of young musicians?
Filed under: Jörg Widmann, Juilliard
February 4, 2020 • 1:53 am Comments Off on A Chat with Nicholas McGegan
Nicholas McGegan conducting Juilliard415 in 2019
Ahead of his upcoming Juilliard projects, I spoke with the always delightful Nicholas McGegan.
A new year and decade: 2020 brings some major milestones for eminent conductor, harpsichordist, and flutist Nicholas McGegan…
Filed under: conductors, early music, Handel, Juilliard
January 23, 2020 • 12:34 pm Comments Off on Juilliard’s 2020 Focus Festival: Pioneering Women Composers of the 20th Century
The 36th annual Focus Festival at Juilliard starts tomorrow with a fascinating program by the New Juilliard Ensemble and its director, Joel Sachs–the first of six free concerts to take place between Friday and January 31. (The clip above is of Mary Lou Williams performing “Roll ’em” from 1944, on the menu for Program III on Tuesday night.)
Joel Sachs, the mastermind behind Juilliard’s Focus Festival tradition, co-curated this year’s edition with Cuban-American composer and conductor Odaline de la Martinez.
If you’re in New York over the next week, it’s really worth considering a visit to one of these amazingly varied programs. Each one is full of discoveries.
The topic, Pioneering Women Composers of the 20th Century, was of course inspired by a desire to mark the centennial of the 19th Amendment being ratified.
Yet, as de la Martinez remarks: “Although prospects for women composers have improved greatly over the last few decades, let’s not forget how much more work needs to be done!”
In this preview by Joshua Barrone (with samples of several of the 32 composers on the roster), de la Martinez goes on to say: ““A lot of these composers have disappeared because people don’t know what to look for. And musicology used to teach only men. It’s about time to make cases for other composers, and women.”
Filed under: Juilliard
Arts & Culture Stories from NPR
MEMETERIA by Thomas May 