Wreath — for Franz Schubert is the latest creation from one of the world’s most-sought-after composers. “I am most grateful to the great Danish String Quartet for giving me the time and encouragement to realize and develop this new path in my work,” Adès writes in the freshly completed score.
My program notes for the Cal Performances performance in April 2024 can be found here.
Here’s my report for Musical America on Sun Valley Music Festival’s recent winter season, which focused on the music of Brahms. Guest artist Jon Kimura Parker and members of the Sun Valley Festival Orchestra:
Ketchum, ID—In the 1930s, an ingenious combination of marketing and new technology (the design of modern chairlifts) transformed this former mining town and sheep-farming center into the country’s first destination ski resort—as well as a magnet for Hollywood celebrities….
Thursday marks the 50th anniversary to the day that Irvine Arditti and his colleagues gave their first concert. The Arditti Quartet would go on to become one of the leading advocates for new chamber music — from Ligeti, Xenakis, and Stockhausen (including the HelicopterQuartet) to their latest commissions from Toshio Hosokawa and Cathy Milliken.
Jonathan Harvey (1939–2012) String Quartet No. 1 (1977)
Cathy Milliken In Speak for String Quartet (2023) world premiere Toshio Hosokawa (*1955) Oreksis for Piano Quintet (2023) world premiere Intermission Harrison Birtwistle (1934–2022) The Tree of Strings for String Quartet (2007)
Two blissful weekends of intimate music-making are about to start as Seattle Chamber Music Society’s 2024 Winter Festival kicks off on Friday, 26 January. Artistic Director James Ehnes will appear in all six programs over the festival’s two weekends. On opening night, he’ll join colleagues Amy Schwartz Moretti, Che-Yen Chen, Cynthia Phelps, Edward Arron, and Efe Baltacıgil for Brahms’s String Sextet No. 1 in B-flat major, Op. 18; the program also includes Ravel’s Violin Sonata No. 2 in G major and British composer Rebecca Clarke’s Piano Trio — part of this winter edition’s focus on 20th-century British composers.
Jan. 26-28 and Feb. 2-4; Benaroya Hall, 200 University St., Seattle; $30-$65; subscriptions and streaming options available; free prelude recital starts an hour before each concert; seattlechambermusic.org
This summer’s Music on the Strait summer festival of chamber music (19-27 August) opens on Saturday, 19 August, at the newly opened Field Arts & Events Hall in Port Angeles, WA. The opening night concert in the 500-seat Donna Morris Auditorium begins at 7pm and features Garrick Ohlsson and the Takács Quartet in a program of Brahms and Amy Beach, as well as the world premiere of a new work for violin and viola by 2023 composer-in-residence Lembit Beecher, which was written for Artistic Directors James Garlick and Richard O’Neill. It was inspired in part by the transformation of the Elwha River. This will be one of the first performances at the Field Arts and Events Hall .
The 19 August opening concert will be livestreamed here and on Music on the Strait’s homepage; you can also watch the concerts on 25 August and 27 August (check MotS’ homepage).
On 26 August at 7pm, also at Field Hall, Jeremy Denk performs Bach’s Complete Partitas; the students of the Olympic Strings Workshop will present a showcase at 6.15pm. For the festival finale on 27 August at 2pm, Jeremy Denk & Friends will play music by Clara Schumann, Robert Schumann, and Johannes Brahms.
Other events will take place at Maier Hall at Peninsula College in Port Angeles:
On Sunday 20 August at 2pm, Takács plays Haydn, Beethoven, and Bartók, and onFriday 25 August at 7pm, Noah Geller, Seattle Symphony’s concertmaster, makes his Music on the Strait debut together with James Garlick, Richard O’Neill, and Ani Aznavoorian in Grieg’s String Quartet in G minor and shares the stage with percussionist Mari Yoshinaga in Anton Prischepa’s Based on Actual Events for Violin and Marimba. The quartet will also perform Jerod Impichchaachaaha’ Tate’s Pisashi for string quartet.
Seattle Chamber Music Society’s 2023 Summer Festival is now in full swing. My review of the opening night concert:
Opening night concerts can be an invitation to default to lightweight programming, letting extramusical distractions become the focus. Not so at Seattle Chamber Music Society. The 2023 Summer Festival kicked off with a concert that kept the audience’s attention avidly fixed on the music at hand…
Jean-Yves Thibaudet and an ensemble from the Colburn School perform a chamber program this evening at Boulez-Saal in Berlin.
Frank Gehry, architect of Boulez-Saal and a friend of Daniel Barenboim, has also designed a 100,000 square-foot expansion of the Colburn School campus in downtown LA, including a 1,000-seat, in-the-round performance space, a studio theater, dance studios, and public gardens and green spaces. Reuniting with Gehry for that project is another name familiar to Berliners: Yasuhisa Toyota of Nagata Acoustics, who served as acoustician for Boulez-Saal (along with other Gehry buildings, including Disney Concert Hall). The new Colburn performance hall, expected to open to the public in 2025, will have parallels with Boulez-Saal.
On the agenda at the Boulez-Saal in Berlin tonight is this program by the West-Eastern Divan Ensemble. It’s an interesting mix of Jörg Widmann, Dvořák, Hindemith, and Enescu. My program notes here.
Seattle Chamber Music Society’s 2023 edition of the Winter Festival has started, presenting two weekends of chamber music by Beethoven, Fanny Mendelssohn, Ravel, William Grant Still, Julia Perry, et al. plus a new work by contemporary American composer Jeremy Turner, who is especially known for his TV and stage scores.
The second weekend of concerts includes the local premiere (Feb. 3) of Turner’s Six Mile House for clarinet, violin, piano, and cello. which was inspired by the Charleston, SC-based urban legend about Sweeney Todd-ish murders said to have been committed by an evil innkeeper couple.
SCMS Artistic Director James Ehnes will be onstage for the three concerts of the second weekend, playing works by Brahms, Shostakovich, and César Franck. And a free prelude recital is open to the public before each concert — no ticket required. Here’s the free prelude lineup:
January 27 – 6:30PM Richard Strauss: Violin Sonata, Op.18 Arnaud Sussmann, violin Jeewon Park, piano
January 28 – 6:30PM Franz Schubert: Fantasie in F minor, D. 940 Dmitri Shostakovich: Piano Trio No. 2 in E minor, Op. 67 SCMS Academy Musicians
January 29 – 2:00PM Sergei Prokofiev: Piano Sonata No. 6, Op. 82 Adam Neiman, piano
February 3 – 6:30PM Julia Perry: Prelude William Grant Still: Three Visions George Gershwin: Rhapsody in Blue, solo version 1924 Andrew Armstrong, piano
February 4 – 6:30PM Ludwig van Beethoven: Piano Trio in C minor, Op. 1 No. 3 SCMS Academy Musicians
February 5 – 2:00PM Franz Joseph Haydn: String Quartet in F minor, Op. 20, No. 5 James Ehnes and Amy Schwartz Moretti, violins; Che-Yen Chen, viola; Edward Arron, cello
Byron Schenkman & Friends continue their 10th-anniversary season with a program on Thursday, 29 December (at 7pm at Benaroya Hall), juxtaposing the piano trio format with lieder. Beethoven’s Archduke Trio, a pinnacle of the piano trio from 1810-11, will be heard alongside 2021 Sphinx Medal of Excellence winner Carlos Simon‘s luminous be still and know, a composition from 2015 inspired by an interview with Oprah Winfrey. Filling out the program are songs by Beethoven, Mozart, and Schubert featuring vocalist Martin Bakari, winner of the 2018 George London Competition.
The complete program is as follows:
Carlos Simon (b. 1986):
be still and know for piano trio
Wolfgang Amadeus Mozart (1756-1791):
Abendempfindung (“Evening Thoughts”) (K. 523) Zufriedenheit (“Contentment”) (K. 473)
Franz Schubert (1979-1828):
Du bist die Ruh (“You are Repose”) (D. 776)
Ludwig van Beethoven (1770-1827):
Adelaide, op. 46
Ludwig van Beethoven:
Trio in B-flat, op. 97
Allegro moderato Scherzo Andante cantabile, ma però con moto Allegro moderato