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Arts writing by Thomas May

A Fresh ‘Appalachian Spring’ Closes Seattle Chamber Music Society’s Summer Party

James Ehnes and colleagues in Appalachian Spring; photo © Jena Poppe

And thus ends what Seattle Chamber Music Society bills as “the world’s largest chamber music party” – some thoughts for Bachtrack on the final concert of the 2026 Summer Festival:

The final concert of Seattle Chamber Music Society’s 2026 Summer Festival capped an unusually eventful stretch. Owing to summer renovations at Benaroya Hall, its usual venue, the organisation found a number of alternate spaces to perform in, while also expanding its reach through free events in parks and other public spaces across the region…


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Filed under: Aaron Copland, James Ehnes, review, Seattle Chamber Music Society, Shostakovich, Shostakovich chamber music

“Dans le caractère populaire roumain”

A few evenings ago, members of the Seattle Symphony joined with some guests for its latest installment in this season’s series of chamber concerts.

I especially enjoyed hearing Alexander Melnikov as the pianist in a Shostakovich’ masterpiece (the Second Piano Trio, his memorial to Ivan Sollertinsky), just two days after the pianist’s triumph with the full SSO in playing Beethoven. The 19-year-old Leonard Bernstein’s Piano Trio and the Elliott Carter Woodwind Quintet of 1948 also stood out for me.

But the indisputable highlight came right at the center, with a riveting, soulful, hugely dramatic performance of George Enescu’s Op. 25 Sonata No. 3 in A minor for Violin and Piano from 1926 (titled “dans le caractère populaire roumain”). SSO violinist Mikhail Shmidt and guest pianist Oana Rusu Tomai took all sorts of risks that paid off in this fascinating, epic-sounding piece.

And now I can’t get it out of my head. The YouTube performance above is from 1936 and features the brother-sister team of Yehudi and Hephzibah Menuhin.

Filed under: Enescu, Seattle Symphony, Shostakovich chamber music, violinists

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