MEMETERIA

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Arts writing by Thomas May

Stuart Dempster at 90

photo: Danette Davis, courtesy of Earshot Jazz

The phenomenon known as Stuart Dempster – trail-blazing composer, trombonist, didjeriduist, Sound Gatherer, and mentor, a.k.a. Fusei (Voice of the Wind) – turned 90 on 7 July. To mark the occasion, the Wayward Music Series is hosting a celebration on 11 July at 4pm at the Chapel Performance Space (4649 Sunnyside Ave. N. in Seattle).

From WMS:

Coming together to listen deeply; to move and to sound playfully, and to attend to a performance in tribute to beloved master musician and teacher, Stuart Dempster. (Please note that the celebration takes place over the course of several hours. No food or drink will be offered at the event, so please plan accordingly. Stuart requests that you bring no presents, just your presence!)

LISTENING TOGETHER (4 – 4:30 PM)
Chapel Performance Space at Good Shepherd Center (4th floor)

Deep Listening session with Brian Pertl and Leila Ramagopal Pertl

PLAYING TOGETHER (5 – 6 PM)
Picnic shelter in Meridian Park, directly behind/west of Good Shepherd Center (weather permitting; if not, we’ll meet in the Chapel) Please note, no amplified sound permitted in the Meridian Park area.

MERIDIAN EVENT for Stuart Dempster on his ninetieth birthday
Chapel Performance Space at Good Shepherd Center (4th floor)
(for best results, join us for Deep Listening in the Chapel before MERIDIAN EVENT!)

To celebrate Stu,
YOU ARE INVITED
To come together
To sing
To play
To dance
To listen
Spontaneously, improvisingly,

Or

Premeditatedly, composedly, choreographedly,
YOU ARE INVITED
In whatever mode you choose, to remember what he taught us:
YOU ARE INVITED
To always listen
To enjoy the silence
To play the silence
To leave space
To let your doing be transparent to what everyone else is doing
To direct your energy
To play with love
To listen deeply
To direct your energy and play with love towards a specific person or specific persons
To listen for the ending

TRANSITION (6:00 – 6:30 PM)
Chapel Performance Space at Good Shepherd Center (4th floor)

Video installation by Robert Campbell and ROOM. Please enter and exit as you wish, move about the space comfortably.

ATTENDING TOGETHER (6:30 – 7 PM)
Chapel Performance Space at Good Shepherd Center (4th floor)

Poem, “Gold and Oak” reading by Brian Komei Dempster

livingROOM, with original ROOM performers Sheri Cohen, Stuart Dempster, Renko Ishida Dempster, John Dixon and Tonya Lockyer, plus guests Loren Dempster, Neal Kosaly-Meyer, David KnottMargaret Paek, and Steve Peters.

All are invited to linger following the performance to continue the celebration!

Filed under: avant-garde, music news, , , , ,

Iannis Xenakis at 100

Sunday night from 10pm–midnight PST, celebrate the legacy of Iannis Xenakis on Flotation Device at 91.3 KBCS-FM Bellevue/Seattle/Tacoma. The program, hosted by composer/intermedia artist and polymath Michael Schell, will include selections from Karlrecords’ new remastered edition of Xenakis’s electroacoustic works (w/enhanced bass) by Martin Wurmnest and Rashad Becker.

The Greek-French avant-garde composer was born on 29 May 1922 in Brăila, Romania. In honor of his centenary, fellow composer Roger Reynolds and flutist and arts activist Karen Reynolds have published Xenakis Creates in Architecture and Music: The Reynold Desert House, which explores their collaboration to create a house design integrating music and architecture. The book also includes analyses of three representative chamber works by Xenakis as well as letters, diaries, notes, photographs, sketches, and transcriptions of person-to-person conversations. More here from Roger Reynolds:

A few years ago, we contracted with Routledge publishers to issue a book: Xenakis Creates in Architecture and Music: The Reynolds Desert House. The cumbersome title was a result of negotiation over how to assure the maximum number of potential “key words” that could attract search engines. In the following months and years, we learned a bit about book publishing.

We had worked for years on the notion that the multifarious materials we had gathered over four decades could somehow be shape-shifted into a coherent collection of chapters, they forming a book that would be detailed, accurate, informative, and would also provide an intimate window into Xenakis’s ways and capacities as we had experienced them.

Iannis and Françoise came to UC San Diego at our invitation for a festival in his honor in 1990. While they were in Southern California, we drove them out to the land that we had purchased in the Anza-Borrego Desert — a deeply ravined site on which we dreamed of realizing a design that he had offered to us during a dinner we shared with them in their 9, rue Chaptal apartment in Paris in 1984.

When several representative chapters were drafted, we submitted them to our Routledge editor, who in turn sent them to the required external reviewers. A particularly thoughtful remark by one clinched the deal:

This is a very unique proposal of the highest quality on a topic that is greatly underdeveloped: the links between musical, architectural and literary creativity in Xenakis’s work.

We worked for many months completing eight chapters with a multitude of illustrative images: photos, designs, letters … Now, after innumerable proofings, the book exists, and we hope it will be shared.

Filed under: avant-garde, Iannis Xenakis, music news, Roger Reynolds

Tyshawn Sorey

One of my favorite recent musical discoveries:

Filed under: avant-garde, jazz

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