MEMETERIA by Thomas May

Music & the Arts

Session Report: Midori on Recording Works by Robert and Clara Schumann

Photo: Timothy Greenfield-Sanders

For the April 2026 edition of The Strad, I spoke with Midori about her album of music by the Schumanns, with Festival Strings Lucerne and Daniel Dodds as well as pianist Özgür Aydin:

For many violinists of Midori’s generation, Robert Schumann’s Violin Concerto in D minor occupies an ambiguous position on the edge of the core repertoire. ‘As a young violinist making my way through the repertoire for my instrument, I encountered a healthy portion of Romantic concertos – Tchaikovsky, Sibelius, Bruch, Dvořák, Brahms and others,’ she notes. ‘But the Schumann Violin Concerto? It is missing from the list without that being overly noticed.’ It was only later, she reflects, that the concerto gradually took its place alongside those more familiar works….

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Filed under: Clara Schumann, Schumann, The Strad, violinists

Clara Schumann, Music’s Unsung Renaissance Woman

The 200th anniversary of Clara Schumann’s birth is quickly approaching. Here’s a story on her legacy I wrote for The New York Times:

Schumann is among the most celebrated names in the classical music canon — for most people conjuring the poetic and intense work of Robert Schumann, the Romantic master.

But when the Schumann in question is his wife, Clara, the name should remind us most of the frustrating lack of recognition still accorded female composers.

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Filed under: chamber music, Clara Schumann, New York Times, pianists

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