Nearly a century after it premiered, Leoš Janáček’s “Katya Kabanova” has made it to the Seattle Opera stage for the first time. The Czech composer’s portrayal of a sensitive young woman desperately in need of an escape route from her repressive surroundings contains all the ingredients for a searing music drama.
In a Janáček mood after hearing last night’s mesmerizing performance of Zápisník zmizelého (“The Diary of One Who Disappeared”) at the Summer Chamber Festival. This song cycle/minidrama of a hapless farm boy’s seduction by a mysterious Gypsy woman was performed with minimal but haunting staging. Great work by tenor Nicholas Phan, mezzo Sasha Cooke, and pianist Jeremy Denk, along with singers Rena Harms, Nerys Jones, and Rachelle Moss.
(Copy of the score here, with its killer tessitura for the tenor.)
Unfortunately I missed the prelude concert featuring Benjamin Beilman and Denk in Janáček’s Violin Sonata. (Beilman and cellist Efe Baltacıgil gave a marvelous rendition last week, along with pianist Anna Polonsky, of the rarely heard Shostakovich First Piano Trio.)
Here’s Ian Bostridge — who even made a documentary about Diary — on the real significance of Janáček’s legacy:
It’s telling, I think, that the voice came first. Janácek’s musical creativity needed an immersion in humanity, in emotion, in flesh and blood, to sustain it. In that sense, he was a world away from the mainstream of German modernism (Schoenberg, Webern et al) or the success story of international eclecticism, Stravinsky, for whom music was about music, not really an expressive art form at all. Stravinsky wrote few songs, and his one opera, ‘The Rake’s Progress’, brilliant and moving as it is, remains cumulatively cold and detached.
If Janácek’s music lives with an extraordinary power and urgency, it is because he bucked the trend of musical abstraction. He did so because he couldn’t avoid it, because it was in his temperament to confuse the personal and the aesthetic. This is something of an intellectual puzzle – how, after all, do we turn feelings into music? – and, at the same time, an artistic miracle.
Stevenson built a museum and monument in Alabama dedicated to slavery and its legacy. "We need to create institutions in this country that motivate more people to say 'Never again,' " he says.
Tiffany Tsao's novel explores the dark secrets of the wealthy Chinese-Indonesian Sulinado family, who fall victim to one of their own when daughter Estella poisons the entire clan at a family dinner.
When NPR host Scott Simon was in his teens, he took a job in an assisted living facility in Chicago. "It really opened my eyes into seeing the world differently," he says.
Garth Greenwell's new story collection — like his previous novel — follows young, gay American men teaching English in Bulgaria. It's part heartbreaking, part forward-looking, and all beautiful.
It takes HBO's space-cruise comedy (from the creator of Veep and The Thick Of It) a while to find its footing — but that's understandable, given how wonky the ship's gravity turns out to be.
Meng Jin's new novel shows us a complex woman through the eyes of her husband, her daughter, and her daughter's nanny — all of whom see different, sometimes contradictory facets of her character.
Religion scholar Elaine Pagels lost her young son to terminal illness and her husband a year later in an accident. She spoke to Fresh Air in November 2018 about loss and faith.
