MEMETERIA by Thomas May

Music & the Arts

New Concertos by Caroline Shaw and Kinan Azmeh at Seattle Symphony

Caroline Shaw

Caroline Shaw, Jonathan Biss, and Ludovic Morlot with Seattle Symphony; photo (c) Brandon Patoc

My coverage of recent world premieres by Caroline Shaw and Kinan Azmeh has now been posted at Musical America.

SEATTLE—As Ludovic Morlot’s final season at the helm of the Seattle Symphony gets closer to the final stretch, his legacy of nurturing new music is coming into sharper relief. The SSO’s last two programs in particular—otherwise so strikingly different in character and mood—each unveiled commissions that took the form of brand-new concertos of genuine distinction: Watermark, Caroline Shaw’s score for pianist Jonathan Biss; and a moving work composed by and for the brilliant clarinetist Kinan Azmeh.

Silk Road Ensemble

Kinan Azmeh with Seattle Symphony and Ludovic Morlot premiering his new Clarinet Concerto; photo (c) Brandon Patoc

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Filed under: Caroline Shaw, Kinan Azmeh, Ludovic Morlot, new music, Seattle Symphony, Silk Road Project

Kinan Azmeh and His CityBand

My piece for Boulez Saal on Kinan Azmeh as he completes an incredibly creative year with stops with his CityBand and friends in Berlin and Amsterdam:

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Filed under: Kinan Azmeh, Pierre Boulez Saal

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