My feature story for Early Music America Magazine’s latest issue is now available online:
The vulnerability of our natural ecosystems makes us more aware of the fragile state of our artistic ecosystems—and how profoundly interconnected these issues are.
What happens when a city known for its early-music scene becomes too expensive for musicians?
‘Can one person save the planet? No. But you can right your own individual actions that are ethical and point you in a certain direction.’
Filed under: climate change, early music, Early Music America
MEMETERIA by Thomas May 