Viktoria Mullova and Matthew Barley, with Ludovic Morlot and Seattle Symphony; image (c) James Holt
For Musical America, I reviewed Seattle Symphony’s program of Pascal Dusapin’s wonderful At Swim-Two-Birds (in its U.S. premiere), Debussy’s Petite Suite, and Tchaikovsky’s Symphony No. 4:
SEATTLE—Making its U.S. premiere at the center of Seattle Symphony’s most recent program, Pascal Dusapin’s At Swim-Two-Birds (heard on November 8) immediately stood out as one of the most significant commissions in music director Ludovic Morlot’s tenure (which draws to a close at the end of this season).
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Filed under: Debussy, Musical America, Pascal Dusapin, review, Tchaikovsky
MEMETERIA by Thomas May 