September 2022
Oct 7-30: The Ghost Train by Arnold Ridley at Centerstage Theatre in Federal Way
Oct 11-16 To Kill a Mockingbird: Aaron Sorkin’s adaptation of Harper Lee’s novel at Paramount Theatre
Oct 15: Seattle Pro Musica launches 50th-anniversary season with my heart be brave at Seattle First Baptist Church
Oct 15-29: Wagner’s Tristan and Isolde at Seattle Opera
Oct 15, 16, 22, and 23: Expand Upon: INCOME INEQUALITY: The EPPIC Differential by Mary E. Brown and Deep Veins by Nelle Tankus: online readings by Mirror Stage
Oct 20: American Art: The Stories We Carry launches at Seattle Art Museum
Oct 20 and 22: Seattle Symphony with Hilary Hahn: Brahms/Tragic Overture and Violin Concerto and Lutosławski/Concerto for Orchestra conducted by Alpesh Chauhan
Oct 25-Nov 20: Seattle Shakespeare Company presents Shakespeare’s Macbeth directed by John Langs
A motley list of streamed music and theater offerings during the 2020 Pandemic closures
Videos curated by Cal Performances
Les Arts Florissants: Dans les jardins de William Christie Festival 2020 — selected videos
Suggested streams from Bachtrack
Edinburgh International Festival Online
Weekly opera broadcasts from Glyndebourne
Benjamin Britten, Death in Venice from ENO
Plan B from musicAeterna and Teodor Currentzis
Lully’s Armide, staging by Robert Carsen, with Les Arts Florissants and William Christie from 2008
musicAeterna’s online music residence
Online events from Chamber Music Society of Lincoln Center: CMS Front Row
Boston Symphony and Tanglewood Summer Festival streams
The Industry presents SweetLand
Nightly streamings from the Metropolitan Opera archives
Symphony Spot: One-stop hub of orchestra livestreams, videos, and digital learning events
Streams from the Gilmore Awards
Stockhausen’s Samstag from the Licht Cycle at the Paris Philharmonie
Kurtág’s Fin du partie from La Scala
A glorious trove of ten Handel operas from the Göttingen Festival
Complete Monteverdi Madrigals performed by Les Arts Florissants
Shifting Contexts from On the Boards
GLOBAL PERFORMANCE SERIES: Virtual venues during COVID-19
MEMETERIA by Thomas May 