Last week’s New York Philharmonic program under Thomas Adès, anchored in the newly expanded version of his America: A Prophecy, was one of the most thought-provoking, unusual, and compelling programs I’ve encountered in ages. My review for Musical America (sorry for the paywall):
NEW YORK—Thomas Adès was 28 when the New York Philharmonic first programmed his music on a major subscription concert. America: A Prophecy was commissioned as part of a series marking the threshold of a new millennium and received its premiere in November 1999 under Kurt Masur. At last week’s concerts, a new, expanded version of America anchored the program, this time with Adès himself on the podium. …
Filed under: Charles Ives, Einojuhani Rautavaara, Musical America, New York Philharmonic, review, Saariaho, Thomas Adès
MEMETERIA by Thomas May 