MEMETERIA by Thomas May

Music & the Arts

Nights at the Opera

MEMETERIA by Thomas May

Ligeti's Le Grand Macabre presented by the New York Philharmonic in 2010; (c) Chris Lee 2010 Ligeti’s Le Grand Macabre presented by the New York Philharmonic in 2010; (c) Chris Lee 2010

My new feature for Symphony magazine’s Fall 2013 issue is available online now:

Total immersion: that was the radical brand of opera Richard Wagner hoped to inaugurate at Bayreuth. To enhance its effect, he famously made the “invisible orchestra” an integral part of his design. Yet the overall ideal of intensified theatrical illusion remained frustratingly out of reach, hampered by the limitations of the stage technology of the time. Cosima Wagner reported her husband’s sardonic joke in the aftermath of his deep disappointment over the first complete Ring: “Now that I’ve created the invisible orchestra, I’d like to invent the invisible stage!”

The concert hall has meanwhile long provided an appealing milieu in which to experience opera with another kind of immediacy—one that focuses on the musical dimension of this most collaborative of the…

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