Congratulations to Anthony Doerr for a well-deserved Pulitzer 2015 win.
“What do we call visible light? We call it color. But… really, children, mathematically, all of light is invisible,” is the lesson that beams in on the short-wave radio. The hyper-curious, gifted, white-haired German orphan Werner Pfennig and his sensitive sister Jutta listen in, escaping through the invisible waves for a moment from the coal-mining town of Zollverein.
This is just one of many memorably etched moments in Anthony Doerr’s new novel, All the Light We Cannot See. I became a fan of Doerr’s writing last year when his short story collection Memory Wall fell into my hands. Doerr possesses the rare gift of a distinctive style that avoids mannerism and that endows his characters — well, most of them — with depth and compassionate believability.
The beauty of Doerr’s fiction is both stylistic and structural. His lyrical, keenly observed prose in All the Light We Cannot See supports…
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