Kate Lindsey (The Composer) and Sarah Coburn (Zerbinetta); photo (c) Elise Bakketun
My review of Ariadne auf Naxos has now been posted on Bachtrack:
At the end of Seattle Opera’s previous production – a refreshing new staging of Handel’s Semele – the ill-fated heroine is burned by Jupiter’s glorious fire, but the god Bacchus emerges from her destruction: “born as my mother expired in the flames”, as Hugo von Hofmannsthal has the wine god explain in his libretto for Ariadne auf Naxos.
Filed under: directors, review, Seattle Opera, Strauss
MEMETERIA by Thomas May 