MEMETERIA by Thomas May

Music & the Arts

Hughes, Shakespeare, and the Goddess

MEMETERIA by Thomas May

Goddess

There’s no shortage of “upstart crows” when it comes to Shakespeare studies: scholar-mavericks who challenge the self-appointed gatekeepers in academia. And it’s no surprise that (after discounting the obvious crackpots) many of these turn out to offer little more than half-baked theories that crumble under closer scrutiny.

But one of the most significant unconventional readings of Shakespeare of recent years belongs to a class of its own: the poet Ted Hughes’ Shakespeare and the Goddess of Complete Being. Is this a truly paradigm-shifting vision or an absurdly reductive idea that sacrifices too much to in pursuit of a “hedgehog” theory?

Ann Skea offers a sympathetic portrayal of the scope of Hughs’ great project:

In his long introduction, Ted outlined the religious and psychological conflict caused by the Calvinist Puritan suppression of Old Catholicism in which the goddess of earlier pagan beliefs still flourished. The religious aspect of this conflict…

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