MEMETERIA by Thomas May

Music & the Arts

Screen Test

JAC_Redford

The new issue of LISTEN Magazine contains my profile of composer and film music veteran JAC Redford, who just orchestrated Thomas Newman’s music for the upcoming James Bond film (Spectre):

THE WHOLE PICTURE is what counts; and the composer must see it not as a composer but as a man of the theater,” wrote Leonard Bernstein, reflecting on composing the score for On the Waterfront.

Bernstein’s adventure into film scoring — marred by creative scrapes with the film’s director Elia Kazan — was unpleasant for him, and marked the conductor–composer’s first and last time writing film music (not counting already existing scores that were adapted for film) — anomaly in an otherwise naturally collaborative career. But for many composers, there’s something perpetually alluring about the medium of film.

Like a particular scent, the simplest chord progression or snatch of soaring melody from a beloved score can instantly trigger a flood of memories—both personal and cultural.

continue reading [opens as pdf]

Filed under: composers, film music, James Bond, profile

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