Thomas Dausgaard
© Ulla-Carin Eckblom
Can we really claim that there is a Mahler Ten? Opinions remain sharply divided among the most fervent Mahlerians. Some refuse to consider the proposition of performing even the first movement of the composer’s final, unfinished symphony – let alone any of the various attempts to construct a performable whole using the extensive sketches Mahler left behind at his death in 1911.
Filed under: conductors, Mahler, review, Seattle Symphony
MEMETERIA by Thomas May 