Narek Hakhnazaryan in recital; photo by Daniel Anderson
Here’s my report for Musical America on the recently concluded second edition of the Piatigorsky International Cello Festival held in Los Angeles (behind a paywall):
LOS ANGELES—“Of all the titles applied to me, I like ‘teacher’ best of all,” the cellist Gregor Piatigorsky once said. And of the many angles that might be used to describe the festival devoted to his instrument and named in his honor, the most salient is a passion for sharing knowledge — not just musical knowledge, but the wisdom gathered from a life devoted to performance. More than anything else, the Piatigorsky International Cello Festival, which took place in Los Angeles between May 13 and 22, became an ode to omnivorous curiosity as the lifeblood of genuine musicianship.
Filed under: cello, essay, Musical America, review
MEMETERIA by Thomas May 