MEMETERIA by Thomas May

Music & the Arts

SF Opera Carmen: Bieito’s U.S. Debut as Gockley’s Swansong

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Irene Roberts (Carmen) and Brian Jagde (Don José) ©Cory Weaver/San Francisco Opera

My review of Calixto Bieito’s Carmen — his official U.S. opera debut, in a production revived at San Francisco Opera — has now been posted on Musical America (behind paywall):

SAN FRANCISCO—An icon of iconoclasm, Calixto Bieito has been alternately demonized and deified for the challenges his stagings pose to business as usual. Kudos to San Francisco Opera, in this final hurrah from outgoing general director David Gockley, for becoming the first North American company to give the Catalan director’s work a platform. “Carmen,” which both opened and will close SFO’s 2016 summer season (with a free “opera at the ballpark” live simulcast on July 2), marks Bieito’s absurdly belated U.S. opera debut — a dozen years after his Abduction From the Seraglio at the Komische Oper Berlin sparked outrage and international headlines.

 

Filed under: Calixto Bieito, directors, review, San Francisco Opera

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