In addition to Bright Sheng’s Dream of the Red Chamber, I reviewed September’s other two productions at San Francisco Opera: a winning Don Pasquale (in which Larry Brownlee made his company debut) and a weak Andrea Chénier. The review is online at Musical America (subscription required):
SAN FRANCISCO—Was it merely coincidence or a cleverly tucked-away reference by way of programming? Regardless, San Francisco Opera opened its new season with a trio of operas in rotation … »Read
Filed under: Lawrence Brownlee, Musical America, review, San Francisco Opera
MEMETERIA by Thomas May 