It was premiered almost two centuries ago. And Beethoven’s Symphony No. 9 still feels as urgently needed today as ever.
Filed under: Beethoven, Ludovic Morlot, Seattle Symphony, Seattle Times
January 1, 2017 • 12:00 am
MEMETERIA by Thomas May
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- guitar
- Gustavo Dudamel
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- Hanns Eisler
- Hans Werner Henze
- Harold Pinter
- harpsichord
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- Harry Partch
- Haydn
- Hölderlin
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- health/illness
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- Heinz Holliger
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- Holocaust
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- nature
- Nelson Freire
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- new music essay
- new music with period instruments
- new opera
- new release
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- Nonsequitur
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- oboe
- Octave 9
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- Oliver Knussen
- Oliver Sacks
- Olivier Messiaen
- On the Boards
- Opea Omaha
- Oper Frankfurt
- opera
- opera companies
- Opera San José
- oratorio
- orchestras
- organ
- Oscar Wilde
- Osvaldo Golijov
- Pacific MusicWorks
- painters
- painting
- Pascal Dusapin
- Patricia Kopatchinskaja
- Patti Smith
- Paul Hindemith
- Per Nørgård
- percussion
- performance
- performance venue
- Peter Sellars
- Phelim McDermott
- Philip Glass
- philosophy
- photography
- pianists
- piano
- Pierre Boulez
- Pierre Boulez Saal
- playlist
- playwrights
- poem
- poetry
- Portland Opera
- PostClassical Ensemble
- preview
- Prince
- profile
- program notes
- programming
- programming innovation
- Prokofiev
- Proust
- psychology
- publishers
- Puccini
- Pēteris Vasks
- Rachmaninoff
- radio drama
- Rameau
- Randolph Hokanson
- Ravenna Festival
- Rebecca Saunders
- recommended listening
- recording industry
- recovered voices
- Reena Esmail
- religion
- Renaissance music
- Renaud Capuçon
- requiem
- review
- reviews
- Rhapsody
- Richard Strauss
- Ring cycle
- Roche Commissions
- Roger Reynolds
- Romanticism
- Rossini
- Runnicles
- Saariaho
- sacred music
- Salonen
- Salzburg Festival
- Samuel Adams
- Samuel Beckett
- Samuel Coleridge-Taylor
- San Diego Opera
- San Francisco Conservatory of Music
- San Francisco Opera
- San Francisco Symphony
- Santa Fe Opera
- Schaubühne
- Schoenberg
- Schubert
- Schumann
- science
- science news
- sculpture
- season programming
- Seattle Chamber Music Society
- Seattle Chamber Players
- Seattle Modern Orchestra
- Seattle Opera
- Seattle Pro Musica
- Seattle Public Library
- Seattle Symphony
- Seattle Times
- Seth Parker Woods
- Shakespeare
- Shanghai Philharmonic Orchestra
- Shostakovich
- Shostakovich chamber music
- Shuang Zou
- Sibelius
- silence
- Silk Road Project
- Simon Rattle
- Simone Dinnerstein
- singers
- social commitments
- social criticism
- social justice
- sociology
- Spectrum Dance
- spirituality
- Spoleto Festival USA
- Staatsoper Berlin
- Stanford Live
- Stefan Herheim
- Stephen Sondheim
- Stephen Stubbs
- Steve Reich
- Steven Stucky
- Strad
- Strauss
- Stravinsky
- string quartet
- Strings
- stupid ideas
- style
- symphonies
- Taiwan Philharmonic
- Tan Dun
- Tarik O'Regan
- Tchaikovsky
- technology
- Tennessee Williams
- Teodor Curentzis
- theater
- themes
- Thielemann
- Third Coast Percussion
- Thomas Adès
- Thomas Dausgaard
- thought to ponder
- Tippet Rise
- Titian
- Tobias Picker
- Tod Machover
- tragedy
- translation
- travel
- Turkish music
- Twitterverse
- Tyshawn Sorey
- unanswered questions
- Uncategorized
- University of Washington
- urban planning
- Ursula Mamlok
- Vanguard Seattle
- Vaughan Williams
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- video art
- Vijay Iyer
- violinists
- Virgil
- visual art
- Vivaldi
- vocal music
- Volksbühne
- Wagner
- Walt Whitman
- Washington Post
- West-Eastern Diwan Orchestra
- White Light Festival
- William Bolcom
- William Kentridge
- Wolfgang Rihm
- women composers
- writers
- WTF
- Yeats
- Yo-Yo Ma
- youth
- Yuval Sharon
- Zurich Opera
MEMETERIA by Thomas May 