The remarkable composer Christopher Cerrone has posted excerpts from Liminal Highway, his recent work for flute and electronics premiered by Tim Munro (formerly of eighth blackbird fame).
I had the privilege of writing the notes for this and the other works Tim programmed on his New York solo debut concert last fall at Miller Theatre. From my piece on Liminal Highway:
The issue of resonance and how it relates to the process of memory is a central preoccupation in much of Cerrone’s music. As the winner of the 2015 Samuel Barber Rome Prize, he spent his year in the Eternal City exploring the intersections between music, architecture, and acoustics, building an installation in a stairwell in the American Academy…
Filed under: electronic music, flute, new music
MEMETERIA by Thomas May 