MEMETERIA by Thomas May

Music & the Arts

The Devil Gets the Best Tunes

1702_cummings_no22_c_robert_workman

Laurence Cummings (Photo by Robert Workman)

Here’s a piece I wrote for this month’s Juilliard Journal about Agrippina:

In one of Agrippina‘s pivotal scenes, the Emperor Claudius—at first presumed dead at sea by the scheming title character, only to be inconveniently rescued—crows in triumph over “conquered Britain” as a “new subject” for the Roman throne. That wouldn’t exactly be music to Brexit supporters—but, then, international migrants like George Frideric Handel (né Georg Friedrich Händel) would have had a harder time in a Europe of zealously policed borders.

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Filed under: Handel, Juilliard

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