Alexey Dolgov (Pinkerton) and Lianna Haroutounian (Cio-Cio-San); photo by Jacob Lucas
My review for Bachtrack of the new Madame Butterfly production opening Seattle Opera’s season:
How well do we really know Madame Butterfly? So iconic that, for some, it’s the archetype of the art form itself, Puccini’s mega-popular opera has recently been coming in for renewed scrutiny.
Filed under: Puccini, review, Seattle Opera
MEMETERIA by Thomas May 