Pauline Oliveros; photo by Allan J. Cronin
Remembering the great Pauline Oliveros, one year after her death: my New York Times story on The Nubian Word for Flowers:
Pauline Oliveros, the beloved composer who died last November, spent her long career experimenting — with improvisation, with technologically enhanced sound design and with “deep listening,” her term for a kind of heightened, mindful perception of sound.
Filed under: new opera, New York Times
MEMETERIA by Thomas May 