Stravinsky’s Perséphone at Seattle Symphony in Michael Curry staging; photo by Brandon Patoc
My review of a very memorable evening with Ludovic Morlot, Seattle Symphony, and the visual artistry of Michael Curry:
Since its tepid première at the Paris Opera in 1934, Perséphone has remained among the most neglected of Stravinsky’s major scores, unable to find a comfortable home on the opera, ballet or concert stage.
Filed under: Ludovic Morlot, review, Seattle Symphony, Stravinsky
MEMETERIA by Thomas May 