This was one of my favorite projects to research in 2018 — and one of many assignments that helped me to keep my sanity during a dark year.
Enraged Alcina (Jacqueline Horner-Kwiatek, mezzo-soprano) casts a curse on the love of Angelica (Sharon Harms, soprano) and Medoro (Brian Jeffers, tenor); from Jonathan Dawe’s Cracked Orlando: dramma per musica e fractals at Juilliard, 2017; photo by Nanette Melville
My story on the creative connections between early music performers and contemporary composers is the current cover story in Early Music America Magazine‘s fall 2018 issue:
When early and new music intersect, alliances are opening up a sense of fresh potential for both sides …
Filed under: early music, new music
MEMETERIA by Thomas May 