Derek Bermel, left, and Seth Parker Woods perform in Octave 9, Seattle Symphony’s new performance venue. Parker Woods is curating… (James Holt / Seattle Symphony)
My Seattle Times story on the newly launched Octave 9 space and the upcoming 24-hour contemporary music marathon:
Octave 9, the name of Seattle Symphony’s new performance venue, hints at the sense of potential yet to be tapped: The modern concert grand piano is limited to a standard range below eight octaves. Designed for artists who want to reach for that metaphorical extra octave and beyond, the space has been outfitted with cutting-edge digital acoustic and visual technology.
Filed under: new music, programming, Seattle Symphony
MEMETERIA by Thomas May 