MEMETERIA by Thomas May

Music & the Arts

Setting Sail with Billy Budd: A Selective Overview of the Opera’s Production History

Here’s an article I wrote for San Francisco Opera’s upcoming production of Billy Budd, which opens on Saturday.

The late New Yorker critic Andrew Porter deemed Billy Budd “musically the richest and most arresting” of Benjamin Britten’s fifteen operas. It is also arguably his most provocative and challenging. While the novella Billy Budd became enshrined in the canon shortly after the belated publication of Melville’s unfinished text in 1924 — boosted by a dramatic reappraisal of the author following a long period of neglect — the opera has taken more time to find a place in the repertory….

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Filed under: Britten, San Francisco Opera

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