MEMETERIA by Thomas May

Music & the Arts

San Francisco Opera Announces New Season

And it’s now been announced: San Francisco Opera returns to a season of live performances with Puccini’s Tosca on Saturday, August 21, inaugurating the tenure of Eun Sun Kim as the company’s new music director. The refurbished War Memorial Opera House will greet audiences with newly installed custom seats and accessibility enhancements.

This is being billed as a “transitional year” and includes three new productions: Ludwig van Beethoven’s Fidelio and, continuing the Company’s Mozart-Da Ponte Trilogy, Così fan tutte and Don Giovanni. The season also includes a revival of Bright Sheng and David Henry Hwang’s Dream of the Red Chamber, a free Opera at the Ballpark simulcast, multiple concert programs, and a new livestreaming option for select performances.

From the press release:

Kim’s music directorship begins with Tosca, a masterpiece central to San Francisco Opera since it opened the War Memorial Opera House in 1932. Kim will also lead Live and In Concert: The Homecoming on September 10 and returns to the podium on October 14 to conduct a bold new production of Beethoven’s ode to freedom Fidelio, along with the annual Adler Fellows concert, The Future Is Now, and a Summer 2022 tribute to the music of Giuseppe Verdi.

Eun Sun Kim said: “When I was appointed Music Director Designate in December 2019, it seemed certain that the time until I officially assumed the position would fly by. And then, of course, the whole world came to a standstill. I’m so proud of the way the entire San Francisco Opera family has worked to remain resilient during this time—we’ve created new ways to make music together and we’ve encouraged each other in strength. Now this steadfast faith will allow us to finally rejoin the audiences who have so patiently waited for our return to the War Memorial Opera House. I hope this is a joyful moment for our whole community, as we open this new chapter together with a sense of renewed hope and optimism.”

After making “a company debut of astonishing vibrancy and assurance” (San Francisco Chronicle) leading Antonín Dvořák’s Rusalka in June 2019, Eun Sun Kim was appointed Music Director Designate in December 2019 in a move the New York Times called “pathbreaking.” The Seoul, South Korea-born Kim will help shape San Francisco Opera’s artistic vision as the Company heads into its second century. San Francisco Opera’s first two general directors, Gaetano Merola and Kurt Herbert Adler, both regularly conducted performances during the Company’s first six decades. In 1985, Sir John Pritchard was appointed San Francisco Opera’s first music director (1985–89). He was succeeded by Donald Runnicles (1992–2009) and Nicola Luisotti (2009–18). Kim is the fourth music director in the Company’s 99-year history.

San Francisco Opera Tad and Dianne Taube General Director Matthew Shilvock said: “Opera gives us opportunities to gather and share in deep, collective, emotional expression. I have never felt more urgently the need for us to gather in this way. We need to be together again, and, on August 21, we will raise the curtain and do just that. But we are not returning unchanged. We emerge with a new music director in Eun Sun Kim! We emerge informed by the bold experiments of the last year, carrying them forward with our new livestreaming program. And we emerge with an even deeper understanding of the power of opera to connect us after the long winter of its absence.

“That all of our productions this season will be new or recently new to our stage is a testament to the local artisans who built them and to the local community which has supported this Company so magnificently during this year. We will return to the social history of the Mozart-Da Ponte Trilogy, be welcomed back into the light of liberation with Beethoven’s Fidelio and enter into the great story of imperial China in Dream of the Red Chamber. But first we return to Tosca—the time-honored way that San Francisco Opera reopens, recommits to our community and reemerges with all of the thrilling energy of live grand opera. It is a moment I cannot wait to share.”

Filed under: music news, San Francisco Opera

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