Kazem Abdullah’s Seattle Symphony debut included Sibelius, Britten, and a brand-new work by Dai Fujikura. Here’s my review for Bachtrack:
Framed by early and late Sibelius, this luminous program pushed the pause button on dank winter anxieties. A warm bond developed between debuting guest conductor Kazem Abdullah and the Seattle Symphony musicians during the course of the concert, reaching incandescence in their cloud-busting account of the Finnish composer’s Seventh Symphony.
Filed under: Britten, commissions, conductors, Seattle Symphony, Sibelius
MEMETERIA by Thomas May 